In this Issue

Table of Contents

A Note from the Executive Editor

David J. Levin
pp. 339-340
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Choral Lament and the Politics of Public Mourning in the Tragédie en musique

Olivia Bloechl
pp. 341-378
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The Timely Traditions of Albert Herring

Christopher Chowrimootoo
pp. 379-419
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Dorsal Monuments: Messiaen, Sellars, and Saint Francis

Sander Van Maas
pp. 420-442
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HD Opera: A Love/Hate Story

James Steichen
pp. 443-459
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Prompting Voice in Opera

Michal Grover-Friedlander
pp. 460-480
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Auditions

Acoustic Signatures: Alban Bassuet

Alessandra Campana
pp. 481-482
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The New National Opera House for Greece: Reflections from an Acoustical Design Practitioner

Alban Bassuet
pp. 483-494
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Reviews

Olivier Messiaen's Saint François d'Assise: A Review Portfolio

p. 495
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The Opera and the Opera: Hermann Nitsch Stages Olivier Messiaen's Saint François d'Assise

Adrian Daub
pp. 496-502
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Staging the Ineffable: Olivier Messiaen's Saint François d'Assise

Michael Wyatt
pp. 503-508
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Dementia at the Opera: The Lion's Face

David Fuller
pp. 509-521
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Scholarship

Le Théâtre de la Monnaie au XVIIIe siècle, and: La Monnaie wagnérienne, and: Le Théâtre de la Monnaie au XIXe siècle: Contraintes d'exploitation d'un théâtre lyrique, 1830-1914, and: La Monnaie symboliste, and: La Monnaie entre-deux-guerres (review)

Christopher Brent Murray
pp. 522-534
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