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In this Issue

Table of Contents

  1. Editors’ Note
  2. Rebecca Gagan, Mary Elizabeth Leighton, Judith Mitchell, Lisa Surridge
  3. p. 8
  4. DOI: https://doi.org/10.1353/vcr.2008.0048
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  1. Teaching Victorian Poetry and the Body: Forming Affect
  2. Kirstie Blair
  3. pp. 9-18
  4. DOI: https://doi.org/10.1353/vcr.2008.0052
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  1. Teaching Victorian Pornography: Hermeneutics and Sexuality
  2. Donald E. Hall
  3. pp. 19-25
  4. DOI: https://doi.org/10.1353/vcr.2008.0032
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  1. Using Performance in the Classroom
  2. Gail Turley Houston
  3. pp. 27-32
  4. DOI: https://doi.org/10.1353/vcr.2008.0036
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  1. Teaching Victorian Literature in the Context of Photography
  2. Jennifer Green-Lewis
  3. pp. 33-41
  4. DOI: https://doi.org/10.1353/vcr.2008.0040
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  1. Teaching Victorian Illustrated Poetry: Hands-on Material Culture
  2. Lorraine Janzen Kooistra
  3. pp. 43-61
  4. DOI: https://doi.org/10.1353/vcr.2008.0043
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  1. A Victorian Study-Abroad Course for Undergraduates
  2. Julianne Smith
  3. pp. 63-69
  4. DOI: https://doi.org/10.1353/vcr.2008.0046
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  1. Of Venus and of Cupid,— Strange Old Tales” in the Work of D. G. Rossetti
  2. D. M. R. Bentley
  3. pp. 83-102
  4. DOI: https://doi.org/10.1353/vcr.2008.0054
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  1. Solomon, Swinburne, Sappho
  2. Elizabeth Prettejohn
  3. pp. 103-128
  4. DOI: https://doi.org/10.1353/vcr.2008.0034
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  1. The Terror of Divine Revelation and Apollo’s Incorporation into Song: Swinburne’s Apollonian Myth
  2. Yisrael Levin
  3. pp. 129-148
  4. DOI: https://doi.org/10.1353/vcr.2008.0038
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  1. Nympholepsy, Mythopoesis, and John Addington Symonds
  2. Roslyn Jolly
  3. pp. 149-163
  4. DOI: https://doi.org/10.1353/vcr.2008.0042
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  1. The Eros of Homeros: The Pleasures of Greek Epic in Victorian Literature and Archaeology
  2. Meilee Bridges
  3. pp. 165-183
  4. DOI: https://doi.org/10.1353/vcr.2008.0045
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  1. Dionysus: The Victorian Outcast
  2. J. Michael Walton
  3. pp. 185-199
  4. DOI: https://doi.org/10.1353/vcr.2008.0049
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  1. A Revolting Mistake: Walter Pater’s Iconography of Dionysus
  2. Stefano Evangelista
  3. pp. 201-218
  4. DOI: https://doi.org/10.1353/vcr.2008.0053
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  1. From Pygmalion to Persephone: Love, Art, Myth in Thomas Hardy’s The Well-Beloved
  2. Patricia Pulham
  3. pp. 219-239
  4. DOI: https://doi.org/10.1353/vcr.2008.0033
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  1. Working Fictions: A Genealogy of the Victorian Novel by Carolyn Lesjak (review)
  2. Barbara Leckie
  3. pp. 241-243
  4. DOI: https://doi.org/10.1353/vcr.2008.0037
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  1. Women’s Albums and Photography in Victorian England: Ladies, Mothers and Flirts by Patrizia Di Bello (review)
  2. Samantha Matthews
  3. pp. 246-248
  4. DOI: https://doi.org/10.1353/vcr.2008.0044
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  1. The Novel of Purpose: Literature and Social Reform in the Anglo-American World by Amanda Claybaugh (review)
  2. Leslie Butler
  3. pp. 249-250
  4. DOI: https://doi.org/10.1353/vcr.2008.0047
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  1. Sex, Lies and Autobiography: The Ethics of Confession by James O’Rourke (review)
  2. Amber K. Regis
  3. pp. 250-252
  4. DOI: https://doi.org/10.1353/vcr.2008.0051
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  1. Bursting the Limits of Time: The Reconstruction of Geohistory in the Age of Revolution by Martin J. S. Rudwick (review)
  2. Pascal Richet
  3. pp. 253-255
  4. DOI: https://doi.org/10.1353/vcr.2008.0031
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  1. Imperial Masochism: British Fiction, Fantasy, and Social Class by John Kucich (review)
  2. John McBratney
  3. pp. 255-257
  4. DOI: https://doi.org/10.1353/vcr.2008.0035
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  1. Introduction
  2. Catherine Maxwell
  3. pp. 73-82
  4. DOI: https://doi.org/10.1353/vcr.2008.0050
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  1. Contributors
  2. pp. 259-262
  3. DOI: https://doi.org/10.1353/vcr.2008.0039
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