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In this Issue

Table of Contents

  1. Editors' Note
  2. Rebecca Gagan, Mary Elizabeth Leighton, Judith Mitchell, Lisa Surridge
  3. p. 9
  4. DOI: https://doi.org/10.1353/vcr.2009.0018
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  1. Forum: Keynotes: Key Victorian Texts
  3. p. 11
  4. DOI: https://doi.org/10.1353/vcr.2009.0047
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  1. The Early Victorian Annual (review)
  2. Margaret Linley
  3. pp. 13-19
  4. DOI: https://doi.org/10.1353/vcr.2009.0027
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  1. On the Constitution of the Church and State (review)
  2. Andrew Elfenbein
  3. pp. 19-23
  4. DOI: https://doi.org/10.1353/vcr.2009.0036
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  1. Manifest der Kommunistischen Partei/The Communist Manifesto (review)
  2. Len Findlay
  3. pp. 23-27
  4. DOI: https://doi.org/10.1353/vcr.2009.0045
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  1. The Charge of the Light Brigade (review)
  2. Jason Camlot
  3. pp. 27-32
  4. DOI: https://doi.org/10.1353/vcr.2009.0055
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  1. On the Origin of Species (review)
  2. Grace Kehler
  3. pp. 32-37
  4. DOI: https://doi.org/10.1353/vcr.2009.0006
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  1. The Woman in White (review)
  2. Dallas Liddle
  3. pp. 37-41
  4. DOI: https://doi.org/10.1353/vcr.2009.0015
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  1. A Plea for the Doric (review)
  2. Florence Boos
  3. pp. 41-45
  4. DOI: https://doi.org/10.1353/vcr.2009.0024
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  1. The Albert Memorial (review)
  2. Kate Flint
  3. pp. 45-49
  4. DOI: https://doi.org/10.1353/vcr.2009.0033
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  1. On the Hypothesis that Animals are Automata (review)
  2. Suzy Anger
  3. pp. 50-51
  4. DOI: https://doi.org/10.1353/vcr.2009.0042
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  1. The Art of Fiction (review)
  2. Stephen Arata
  3. pp. 53-56
  4. DOI: https://doi.org/10.1353/vcr.2009.0051
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  1. Tess of the D'Urbervilles (review)
  2. Brigid Lowe
  3. pp. 56-60
  4. DOI: https://doi.org/10.1353/vcr.2009.0002
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  1. Letters to James Allanson Picton; the Ruskin Society in Manchester (review)
  2. Amy Woodson-Boulton
  3. pp. 60-64
  4. DOI: https://doi.org/10.1353/vcr.2009.0011
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  1. The Critic as Artist (review)
  2. Christine Ferguson
  3. pp. 64-68
  4. DOI: https://doi.org/10.1353/vcr.2009.0020
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  1. The Evolution of the Art of Music (review)
  2. Bennett Zon
  3. pp. 68-72
  4. DOI: https://doi.org/10.1353/vcr.2009.0029
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  1. Sexual Inversion (review)
  2. Joy Dixon
  3. pp. 72-76
  4. DOI: https://doi.org/10.1353/vcr.2009.0038
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  1. Greater Britain and the Imperial Outpost: The Australasian Origins of The Riddle of the Sands (1903)
  2. Philip Steer
  3. pp. 79-95
  4. DOI: https://doi.org/10.1353/vcr.2009.0053
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  1. Dracula and Chloral: Chemistry Matters
  2. Sandy Feinstein
  3. pp. 96-115
  4. DOI: https://doi.org/10.1353/vcr.2009.0004
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  1. The Thrill of the Trill: Political and Aesthetic Discourse in George Eliot's Armgart
  2. Rob Breton
  3. pp. 116-131
  4. DOI: https://doi.org/10.1353/vcr.2009.0013
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  1. "Write a little bit every day": L.T. Meade, Self-Representation, and the Professional Woman Writer
  2. Janis Dawson
  3. pp. 132-152
  4. DOI: https://doi.org/10.1353/vcr.2009.0022
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  1. "A Place for More than the Healing of Bodily Sickness": Charles Dickens, the Social Mission of Nineteenth-Century Pediatrics, and the Great Ormond Street Hospital for Sick Children
  2. Katharina Boehm
  3. pp. 153-174
  4. DOI: https://doi.org/10.1353/vcr.2009.0031
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  1. "England in the East": Metonymies of Absence in Charles Dilke's Greater Britain
  2. Ann-Barbara Graff
  3. pp. 175-189
  4. DOI: https://doi.org/10.1353/vcr.2009.0040
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  1. "Mere Outward Appearances"?: Household Taste and Social Perception in Elizabeth Gaskell's North and South
  2. John Paul Kanwit
  3. pp. 190-210
  4. DOI: https://doi.org/10.1353/vcr.2009.0049
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  1. Stretching "The Sensational Sixties": Genre and Sensationalism in Domestic Fiction by Victorian Women Writers
  2. Tamara Wagner
  3. pp. 211-228
  4. DOI: https://doi.org/10.1353/vcr.2009.0000
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  1. In "the Sumptuous Rank of the Signifier": The Gendered Tattoo in Mr. Meeson's Will
  2. Patricia Murphy
  3. pp. 229-251
  4. DOI: https://doi.org/10.1353/vcr.2009.0009
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  1. The Mass Image: A Social History of Photomechanical Reproduction in Victorian London, and: The Haunted Gallery: Painting, Photography, Film c. 1900 (review)
  2. Dennis Denisoff
  3. pp. 253-256
  4. DOI: https://doi.org/10.1353/vcr.2009.0057
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  1. Reforming Philosophy: A Victorian Debate on Science and Society (review)
  2. Bernard Lightman
  3. pp. 256-258
  4. DOI: https://doi.org/10.1353/vcr.2009.0008
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  1. Knowing Dickens (review)
  2. Goldie Morgentaler
  3. pp. 258-260
  4. DOI: https://doi.org/10.1353/vcr.2009.0017
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  1. Cholera and Nation: Doctoring the Social Body in Victorian England (review)
  2. David McLean
  3. pp. 261-262
  4. DOI: https://doi.org/10.1353/vcr.2009.0026
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  1. The Jewess in Nineteenth-Century British Literary Culture (review)
  2. Heidi Kaufman
  3. pp. 262-264
  4. DOI: https://doi.org/10.1353/vcr.2009.0035
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  1. Racism on the Victorian Stage: Representation of Slavery and the Black Character (review)
  2. Katherine Newey
  3. pp. 265-267
  4. DOI: https://doi.org/10.1353/vcr.2009.0044
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  1. Formal Investigations: Aesthetic Style in Late-Victorian and Edwardian Detective Fiction (review)
  2. Heather Worthington
  3. pp. 267-269
  4. DOI: https://doi.org/10.1353/vcr.2009.0054
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  1. The Earth on Show: Fossils and the Poetics of Popular Science, 1802-1856 (review)
  2. Richard Olson
  3. pp. 269-271
  4. DOI: https://doi.org/10.1353/vcr.2009.0005
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  1. Metropolis on the Styx: The Underworld of Modern Urban Culture, 1800-2001 (review)
  2. Deborah Epstein Nord
  3. pp. 271-273
  4. DOI: https://doi.org/10.1353/vcr.2009.0014
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  1. Contributors
  3. pp. 275-279
  4. DOI: https://doi.org/10.1353/vcr.2009.0060
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