1. Editor’s Column
  2. Derek Parker Royal
  3. pp. 5-6
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  1. “Angry Because She Stutters”: Stuttering, Violence, and the Politics of Voice in American Pastoral and Sorry
  2. Christopher Eagle
  3. pp. 17-30
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  1. My Own Foe from the Other Gender: (Mis)representing Women in The Dying Animal
  2. Velichka Ivanova
  3. pp. 31-44
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  1. “You’re Neither One Thing (N)or The Other”: Nella Larsen, Philip Roth, and The Passing Trope
  2. Donavan L. Ramon
  3. pp. 45-61
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  1. Matrimony: Re-Conceiving the Mother in Philip Roth’s Life Writing
  2. Tony Fong
  3. pp. 63-80
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  1. “[A]nything but fragile and yielding”: Women in Roth’s Recent Tetralogy
  2. Miriam Jaffe-Foger, Aimee Pozorski
  3. pp. 81-94
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  1. Against Representation: Death, Desire, and Art in Philip Roth’s The Dying Animal
  2. Zoë Roth
  3. pp. 95-100
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  1. Philip Roth and the Zuckerman Books: The Making of a Storyworld (review)
  2. Andrew Gordon
  3. pp. 101-106
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  1. Philip Roth: American Pastoral, The Human Stain, The Plot Against America (review)
  2. Gurumurthy Neelakantan
  3. pp. 107-111
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  1. I Sing the Body Politic: History as Prophecy in Contemporary American Literature (review)
  2. Samuel Saldivar III
  3. pp. 111-113
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  1. Passing into the Present: Contemporary American Fiction of Racial and Gender Passing (review)
  2. Donavan L. Ramon
  3. pp. 113-116
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  1. Contesting Histories: German and Jewish Americans and the Legacy of the Holocaust (review)
  2. Nigel Rodenhurst
  3. pp. 116-118
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  1. Introduction: Roth and Women
  2. David Gooblar
  3. pp. 7-15
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  1. Contributors
  2. pp. 119-120
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