1. Creating Character in “Chiaro Oscuro”: Sterne’s Celebrity, Cibber’s Apology, and the Life of Tristram Shandy
  2. Julia H. Fawcett
  3. pp. 141-161
  4. DOI: 10.1353/ecy.2012.0022
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  1. Obscenity Off the Scene: Sade’s La Philosophie dans le boudoir
  2. John Phillips
  3. pp. 163-174
  4. DOI: 10.1353/ecy.2012.0012
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  1. Fanny Price: “Is she solemn?—Is she queer?—Is she prudish?”
  2. George E. Haggerty
  3. pp. 175-188
  4. DOI: 10.1353/ecy.2012.0014
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  1. Via Media: Transatlantic Anglicanism in The Female American
  2. Scarlet Bowen
  3. pp. 189-207
  4. DOI: 10.1353/ecy.2012.0016
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  1. A “Foundation in Nature”: New Economic Criticism and the Problem of Money in 1690s England
  2. Courtney Weiss Smith
  3. pp. 209-228
  4. DOI: 10.1353/ecy.2012.0018
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  1. Historicizing the Gaze
  2. Melissa Mowry
  3. pp. 229-232
  4. DOI: 10.1353/ecy.2012.0023
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  1. A World of Impostures
  2. Michael Keevak
  3. pp. 233-235
  4. DOI: 10.1353/ecy.2012.0020
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  1. The Value of the Festschrift: A Dying Genre?
  2. John Richetti
  3. pp. 237-242
  4. DOI: 10.1353/ecy.2012.0021
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  1. “Orinoco out into the light”: A Modern Jesuit’s Efforts to Kick the Devil Out of the Borderlands
  2. Jorge Cañizares-Esguerra
  3. pp. 243-247
  4. DOI: 10.1353/ecy.2012.0011
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  1. Infrastructure, Material Culture, and Agency
  2. Ann C. Dean
  3. pp. 249-252
  4. DOI: 10.1353/ecy.2012.0013
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  1. Revolutionizing the Study of Female Artists
  2. Lindsay Dunn
  3. pp. 253-256
  4. DOI: 10.1353/ecy.2012.0015
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  1. Race to the Top: Knowledge Production and Disciplinary Formation in the Long Eighteenth Century
  2. Evan Gottlieb
  3. pp. 257-262
  4. DOI: 10.1353/ecy.2012.0017
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  1. Notes on Contributors
  2. pp. 263-264
  3. DOI: 10.1353/ecy.2012.0019
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