Articles

  1. La Serrana de la Vera de Vélez de Guevara y el romanticismo incipiente
  2. Carolina Palacios Diazceballos
  3. pp. 237-244
  4. DOI: 10.1353/rmc.2007.0021
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  1. "En una fortaleza preso queda": A Landscape of Political Allegory
  2. Diane Chaffee-Sorace
  3. pp. 245-251
  4. DOI: 10.1353/rmc.2007.0025
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  1. "Carlota's Lesson in 'Love painting'": The Portrait of a Woman Artist in a Spanish Short Story
  2. Beatriz Caamaño Alegre
  3. pp. 253-262
  4. DOI: 10.1353/rmc.2007.0029
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  1. "Conto gallego": Seducción, misoginia y sexualidad femenina
  2. Olga Rivera
  3. pp. 263-269
  4. DOI: 10.1353/rmc.2007.0033
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  1. Sinfonía de trincheras y rameras: El violín del Diablo de Raúl González Tuñón
  2. Paul Cahill
  3. pp. 271-279
  4. DOI: 10.1353/rmc.2007.0012
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  1. Writing Absence: History and Death in Borges's "Tema del traidory del héroe"
  2. José Luis Venegas
  3. pp. 281-289
  4. DOI: 10.1353/rmc.2007.0016
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  1. Fantasizing the Feminine: Sex and Gender in Donoso's El lugar sin límites and Puig's El beso de la mujer araña
  2. Jessica Burke
  3. pp. 291-300
  4. DOI: 10.1353/rmc.2007.0020
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  1. Deception or Creation?: Translations in Guillermo Cabrera Infante's Tres tristes tigres
  2. Gabriel Ignacio Barreneche
  3. pp. 301-311
  4. DOI: 10.1353/rmc.2007.0023
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  1. Poetic Self-Assertion in Jean Lemaire de Belges's 1506 "Les Regretz de la dame infortunée"
  2. Peter Eubanks
  3. pp. 313-321
  4. DOI: 10.1353/rmc.2007.0027
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  1. "Bérenger au long cul" and the Pastourelle
  2. Katherine A. Brown
  3. pp. 323-331
  4. DOI: 10.1353/rmc.2007.0031
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  1. Memory Degree Zero: Notes on José Cardoso Pires' De Profundis, Valsa Lenta
  2. Sílvia Oliveira
  3. pp. 333-339
  4. DOI: 10.1353/rmc.2007.0035
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  1. A Feminine Approach to Favour in Two Novels by Machado de Assis
  2. Julee Tate
  3. pp. 341-349
  4. DOI: 10.1353/rmc.2007.0014
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  1. Lab Cannibals: Resistance and Contagion in Sonhos tropicais
  2. Thomas P. Waldemer
  3. pp. 351-358
  4. DOI: 10.1353/rmc.2007.0018
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