1. Note from the Editor
  2. Edward Davidson Montgomery
  3. p. 3
  4. DOI: 10.1353/rmc.2006.0011
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  1. Ver e não ver em Ensaio sobre a cegueira de José Saramago
  2. Alessandra M. Pires
  3. pp. 15-20
  4. DOI: 10.1353/rmc.2006.0002
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  1. Apostillas a Escarramán en el teatro aurisecular
  2. Fernando Rodríguez Mansilla
  3. pp. 21-31
  4. DOI: 10.1353/rmc.2006.0004
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  1. Rubem Fonseca's Cold Case: The Ephemeral and the Historical in Agosto
  2. Thomas P. Waldemer
  3. pp. 33-39
  4. DOI: 10.1353/rmc.2006.0006
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  1. Generating Feminine Discourse in Boccaccio's Decameron: The "Valle delle donne" as Julia Kristeva's chora
  2. Neal McTighe
  3. pp. 41-48
  4. DOI: 10.1353/rmc.2006.0008
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  1. El yo-íntimo de Dulce María Loynaz en tres poemas desubicados
  2. Humberto López Cruz
  3. pp. 49-55
  4. DOI: 10.1353/rmc.2006.0010
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  1. La déchirure linguistique et les poétiques du chaos-monde : Les grands chaos d'Edouard Glissant
  2. Marilia Marchetti
  3. pp. 57-66
  4. DOI: 10.1353/rmc.2006.0013
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  1. Pessoa's "O Encoberto" in Mensagem: The Sebastianist Facet of his Occultism
  2. José I. Suárez
  3. pp. 67-76
  4. DOI: 10.1353/rmc.2006.0001
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  1. Shamed Women in the Novels of Juan Valera: Enslaved to the Other
  2. Carlos Valencia
  3. pp. 77-85
  4. DOI: 10.1353/rmc.2006.0003
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  1. Candide's Pangloss: Voltaire's Tragicomic Hero
  2. Arthur Scherr
  3. pp. 87-96
  4. DOI: 10.1353/rmc.2006.0005
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  1. Tallemant des Réaux et l'esthétique de la négligence
  2. Phillip J. Wolfe
  3. pp. 97-105
  4. DOI: 10.1353/rmc.2006.0007
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  1. La economía de los despojos teatrales: reutilización y disputas
  2. Ignacio López Alemany
  3. pp. 107-114
  4. DOI: 10.1353/rmc.2006.0009
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  1. From the Rebel Years of Pop Literature to the Magical Realism of Roberto Drummond
  2. Paula Rodrigues Pontes
  3. pp. 115-121
  4. DOI: 10.1353/rmc.2006.0012
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