1. Editorial Comment: What’s New?
  2. Penny Farfan
  3. p. 1
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  1. Performative Performances: A History and Theory of the “Copyright Performance”
  2. Derek Miller
  3. pp. 161-177
  4. DOI: 10.1353/tj.2012.0054
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  1. Darkness Visible: The Early Melodrama of British Imperialism and the Commodification of History in Sheridan’s Pizarro
  2. Dana Van Kooy
  3. pp. 179-195
  4. DOI: 10.1353/tj.2012.0059
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  1. Staging Violence in Pig Iron Theatre Company’s Anodyne
  2. Christian DuComb
  3. pp. 197-211
  4. DOI: 10.1353/tj.2012.0032
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  1. Toward the Integration of Theatre History and Affect Studies: Shame and the Rude Mechs’s The Method Gun
  2. Robin Bernstein
  3. pp. 213-230
  4. DOI: 10.1353/tj.2012.0037
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  1. Compiling West Side Story’s Parahistories, 1949–2009
  2. Brian Eugenio Herrera
  3. pp. 231-247
  4. DOI: 10.1353/tj.2012.0042
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  1. Oregon Shakespeare Festival (review)
  2. Sonja Arsham Kuftinec
  3. pp. 249-253
  4. DOI: 10.1353/tj.2012.0047
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  1. Le Théâtre Du Peuple, and: Avignon Festival (review)
  2. Kimberly Jannarone
  3. pp. 253-257
  4. DOI: 10.1353/tj.2012.0052
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  1. Le Festival Ouverture (review)
  2. David Calder
  3. pp. 257-260
  4. DOI: 10.1353/tj.2012.0057
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  1. South Africa’s National Arts Festival (review)
  2. Megan Lewis, Natalia Hokin
  3. pp. 260-264
  4. DOI: 10.1353/tj.2012.0030
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  1. Passing The Flame: Dah Theatre’s 20th Anniversary Festival (review)
  2. Dennis Barnett
  3. pp. 264-267
  4. DOI: 10.1353/tj.2012.0035
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  1. The Life And Death of Marina Abramović (review)
  2. Joshua Abrams
  3. pp. 267-269
  4. DOI: 10.1353/tj.2012.0040
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  1. Sleep No More (review)
  2. D. J. Hopkins
  3. pp. 269-271
  4. DOI: 10.1353/tj.2012.0045
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  1. The Tenant (review)
  2. Bertie Ferdman
  3. pp. 271-273
  4. DOI: 10.1353/tj.2012.0050
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  1. Vyšniu Sodas—Der Kirschgarten (review)
  2. Hana Worthen
  3. pp. 273-275
  4. DOI: 10.1353/tj.2012.0055
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  1. Mask and Soul (review)
  2. Robert Crane
  3. pp. 275-277
  4. DOI: 10.1353/tj.2012.0060
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  1. The Great Fire (review)
  2. Loren Kruger
  3. pp. 277-278
  4. DOI: 10.1353/tj.2012.0033
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  1. Brewsie and Willie (review)
  2. Patricia Elise Nelson
  3. pp. 278-281
  4. DOI: 10.1353/tj.2012.0038
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  1. Bootycandy (review)
  2. Isaiah Matthew Wooden
  3. pp. 281-283
  4. DOI: 10.1353/tj.2012.0043
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  1. Clybourne Park (review)
  2. Ann M. Shanahan
  3. pp. 283-285
  4. DOI: 10.1353/tj.2012.0048
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  1. Forging an English Bohemia
  2. Tracy C. Davis
  3. pp. 287-297
  4. DOI: 10.1353/tj.2012.0053
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  1. Interrogating Antigone in Post-Modern Philosophy and Criticism (review)
  2. Julia Listengarten
  3. pp. 299-300
  4. DOI: 10.1353/tj.2012.0058
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  1. The Drama of Ideas: Platonic Provocations in Theater and Philosophy (review)
  2. Kyna Hamill
  3. pp. 300-302
  4. DOI: 10.1353/tj.2012.0031
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  1. Offstage Space, Narrative, and the Theatre of the Imagination (review)
  2. Ann M. Mazur
  3. pp. 302-303
  4. DOI: 10.1353/tj.2012.0036
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  1. Theatre, Communication, Critical Realism (review)
  2. David Bisaha
  3. pp. 303-304
  4. DOI: 10.1353/tj.2012.0041
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  1. Devising in Process (review)
  2. Thomas Riccio
  3. pp. 304-306
  4. DOI: 10.1353/tj.2012.0046
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  1. The Journal of War and Culture Studies (review)
  2. Jenna L. Kubly
  3. pp. 306-307
  4. DOI: 10.1353/tj.2012.0051
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  1. Theatre and Culture in Early Modern England, 1650–1737: From Leviathan to Licensing Act (review)
  2. Emma Lesley Depledge
  3. pp. 307-309
  4. DOI: 10.1353/tj.2012.0056
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  1. Players, Playwrights, Playhouses: Investigating Performance, 1660–1800 (review)
  2. Mary M. Mechler
  3. pp. 309-310
  4. DOI: 10.1353/tj.2012.0061
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  1. August Strindberg (review)
  2. Matthew Yde
  3. pp. 310-311
  4. DOI: 10.1353/tj.2012.0034
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  1. Laurette Taylor, American Stage Legend (review)
  2. Fonzie D. Geary II
  3. pp. 311-313
  4. DOI: 10.1353/tj.2012.0039
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  1. American Women Theatre Critics: Biographies and Selected Writings of Twelve Reviewers, 1753–1919 (review)
  2. Milbre Burch
  3. pp. 313-314
  4. DOI: 10.1353/tj.2012.0044
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  1. Doctoral Projects in Progress in Theatre Arts, 2012
  2. Troy Matthew Lescher, Nicholas Adam Halder, James Beekman Bush
  3. pp. 317-322
  4. DOI: 10.1353/tj.2012.0049
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