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Table of Contents

  1. Roses Are Red: The Peculiar Remembrance of Rosa Luxemburg in Lyric Poetry
  2. Ruth J. Owen
  3. pp. 127-145
  4. DOI: https://doi.org/10.1353/smr.2012.0012
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  1. From Pictures to Text: The Dance of Death in Ernst Toller's Masse Mensch
  2. Alison Beringer
  3. pp. 146-163
  4. DOI: https://doi.org/10.1353/smr.2012.0014
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  1. Masochismus und Politik: Sacher-Masoch im Kontext seiner Zeit
  2. Torben Lohmüller
  3. pp. 164-182
  4. DOI: https://doi.org/10.1353/smr.2012.0015
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  1. Political Suicide in Hermann Hesse's Weimar Novels: Reading the Withdrawal from the Political
  2. Kurt Buhanan
  3. pp. 183-199
  4. DOI: https://doi.org/10.1353/smr.2012.0008
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  1. The Comic Frustration of the Comedic in Hauptmann's Der Biberpelz
  2. Martin Sheehan
  3. pp. 200-217
  4. DOI: https://doi.org/10.1353/smr.2012.0009
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  1. "Aus Anlass eines Sensationsprozesses": The Oscar Wilde Scandal in the German Press
  2. Yvonne Ivory
  3. pp. 218-239
  4. DOI: https://doi.org/10.1353/smr.2012.0010
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  1. "Freiheit im Quadrat": Zur Funktion der Form bei Bas Böttcher
  2. Billy Badger
  3. pp. 240-253
  4. DOI: https://doi.org/10.1353/smr.2012.0011
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  1. Fashioning a New Brand of "Germanness": The 2006 World Cup and Beyond
  2. Katrina Sark
  3. pp. 254-266
  4. DOI: https://doi.org/10.1353/smr.2012.0013
  5. restricted access