1. The Grimaldi Shakspere
  2. Richard Schoch
  3. pp. 1-19
  4. DOI: 10.1353/shb.2012.0014
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  1. Breaking the Sound Barrier: Howie Seago and American Sign Language at Oregon Shakespeare Festival
  2. Michael W. Shurgot
  3. pp. 21-36
  4. DOI: 10.1353/shb.2012.0019
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  1. A 2011 Gallimaufry of Plays: Shakespeare, Heywood, Marlowe, and Massinger
  2. Alan Dessen
  3. pp. 37-47
  4. DOI: 10.1353/shb.2012.0024
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  1. From the Theatre Review Editor
  2. Jeremy Lopez
  3. pp. 49-50
  4. DOI: 10.1353/shb.2012.0000
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  1. The Histories (review)
  2. Justin B. Hopkins
  3. pp. 51-52
  4. DOI: 10.1353/shb.2012.0004
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  1. The Blind Beggar of Alexandria (review)
  2. Paul Menzer
  3. pp. 52-53
  4. DOI: 10.1353/shb.2012.0008
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  1. Sleep No More (review)
  2. Kevin Ewert
  3. pp. 53-54
  4. DOI: 10.1353/shb.2012.0012
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  1. Bartholomew Fair (review)
  2. Peter Hyland
  3. pp. 55-56
  4. DOI: 10.1353/shb.2012.0017
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  1. Cymbeline (review)
  2. Peter Kirwan
  3. pp. 56-57
  4. DOI: 10.1353/shb.2012.0022
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  1. Hamlet . . . The rest is silence (review)
  2. Justin B. Hopkins
  3. pp. 57-59
  4. DOI: 10.1353/shb.2012.0026
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  1. King Lear (review)
  2. Nick Moschovakis
  3. pp. 59-60
  4. DOI: 10.1353/shb.2012.0002
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  1. The Winter's Tale (review)
  2. Steve Mentz
  3. pp. 60-61
  4. DOI: 10.1353/shb.2012.0006
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  1. Tiny Ninja Hamlet (review)
  2. Todd Borlik
  3. pp. 61-62
  4. DOI: 10.1353/shb.2012.0010
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  1. As You Like It (review)
  2. Tom Ue
  3. pp. 63-64
  4. DOI: 10.1353/shb.2012.0015
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  1. Hamlet (review)
  2. Noel Sloboda
  3. pp. 64-65
  4. DOI: 10.1353/shb.2012.0020
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  1. Hamlet (review)
  2. Nely Keinänen
  3. p. 65
  4. DOI: 10.1353/shb.2012.0025
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  1. Hamlet (review)
  2. Karley Adney
  3. pp. 66-67
  4. DOI: 10.1353/shb.2012.0001
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  1. Twelfth Night (or What You Will) (review)
  2. Douglas E. Green
  3. pp. 67-68
  4. DOI: 10.1353/shb.2012.0005
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  1. Bond, a Bangzi Opera Adaptation of The Merchant of Venice (review)
  2. Zhiyan Zhang
  3. pp. 68-69
  4. DOI: 10.1353/shb.2012.0009
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  1. King Lear (review)
  2. Noel Sloboda
  3. pp. 69-71
  4. DOI: 10.1353/shb.2012.0013
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  1. King Lear (review)
  2. Steve Mentz
  3. pp. 71-72
  4. DOI: 10.1353/shb.2012.0018
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  1. Hamlet (review)
  2. Carla Della Gatta
  3. pp. 72-73
  4. DOI: 10.1353/shb.2012.0023
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  1. Variations on Measure for Measure (review)
  2. Michael W. Shurgot
  3. pp. 73-74
  4. DOI: 10.1353/shb.2012.0027
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  1. Venus and Adonis (review)
  2. Justin B. Hopkins
  3. pp. 74-76
  4. DOI: 10.1353/shb.2012.0003
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  1. Macbeth (review)
  2. Stephen Booth
  3. pp. 77-78
  4. DOI: 10.1353/shb.2012.0007
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  1. Henry VIII, and: The Blind Beggar of Alexandria (review)
  2. Michael J. Hirrel
  3. pp. 79-80
  4. DOI: 10.1353/shb.2012.0011
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  1. The Histories (review)
  2. Coen Heijes
  3. pp. 80-81
  4. DOI: 10.1353/shb.2012.0016
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  1. Actors and Acting in Shakespeare's Time: The Art of Stage Playing (review)
  2. Paul Menzer
  3. pp. 83-85
  4. DOI: 10.1353/shb.2012.0021
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