1. Technology Update for the 2012 Film & History Conference at the Hyatt Regency Milwaukee (Sept. 26–30)
  2. p. 7
  3. DOI: 10.1353/flm.2012.0030
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  1. French Film Guide: La Règle du jeu (review)
  2. Judith Holland Sarnecki
  3. pp. 8-10
  4. DOI: 10.1353/flm.2012.0003
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  1. Hal Ashby: Interviews, and: Billy Wilder, Movie Maker: Critical Essays on the Films (review)
  2. Ron Briley
  3. pp. 11-15
  4. DOI: 10.1353/flm.2012.0008
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  1. A Grammar of Murder: Violent Scenes and Film Form (review)
  2. Inga Meier
  3. pp. 15-16
  4. DOI: 10.1353/flm.2012.0013
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  1. The History on Film Reader (review)
  2. Cynthia Childs
  3. pp. 17-18
  4. DOI: 10.1353/flm.2012.0018
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  1. Civilisation (review)
  2. Kevin M. Flanagan
  3. pp. 19-21
  4. DOI: 10.1353/flm.2012.0023
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  1. The Japanese Period Film: A Critical Analysis (review)
  2. Ronald Wilson
  3. pp. 21-24
  4. DOI: 10.1353/flm.2012.0028
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  1. Cinema, Space, and Polylocality in a Globalizing China (review)
  2. Jane Parish Yang
  3. pp. 24-26
  4. DOI: 10.1353/flm.2012.0001
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  1. Visions of Japanese Modernity: Articulations of Cinema, Nation, and Spectatorship, 1895–1925 (review)
  2. Ronald P. Loftus
  3. pp. 26-29
  4. DOI: 10.1353/flm.2012.0006
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  1. Starring Mandela and Cosby: Media and the End(s) of Apartheid (review)
  2. Julie Lavelle
  3. pp. 29-31
  4. DOI: 10.1353/flm.2012.0011
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  1. Richard Lester (review)
  2. David Lancaster
  3. pp. 32-33
  4. DOI: 10.1353/flm.2012.0016
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  1. The Passion of Montgomery Clift (review)
  2. Michael DeAngelis
  3. pp. 34-36
  4. DOI: 10.1353/flm.2012.0021
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  1. Famous Faces Yet Not Themselves: The Misfits and Icons of Postwar America (review)
  2. Steven Cohan
  3. pp. 36-39
  4. DOI: 10.1353/flm.2012.0026
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  1. Reel Men at War: Masculinity and the American War Film (review)
  2. Robert Fyne
  3. pp. 39-41
  4. DOI: 10.1353/flm.2012.0032
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  1. Medieval Film (review)
  2. Margaret Hostetler
  3. pp. 41-43
  4. DOI: 10.1353/flm.2012.0004
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  1. Killing the Indian Maiden: Images of Native American Women in Film (review)
  2. Chris Stone
  3. pp. 44-46
  4. DOI: 10.1353/flm.2012.0009
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  1. Envisioning Asia: On Location, Travel, and the Cinematic Geography of U.S. Orientalism (review)
  2. Monica Rico
  3. pp. 46-47
  4. DOI: 10.1353/flm.2012.0014
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  1. The Look of Catholics: Portrayals in Popular Culture from the Great Depression to the Cold War (review)
  2. Erin Hill-Parks
  3. pp. 48-49
  4. DOI: 10.1353/flm.2012.0019
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  1. The Fall of the Roman Empire: Film and History (review)
  2. Jonathan Theodore
  3. pp. 50-52
  4. DOI: 10.1353/flm.2012.0024
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  1. The Genius of the System: Hollywood Filmmaking in the Studio Era (review)
  2. Ron Briley
  3. pp. 52-55
  4. DOI: 10.1353/flm.2012.0029
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  1. Moscow Believes in Tears: Russians and Their Movies (review)
  2. Denise J. Youngblood
  3. pp. 55-57
  4. DOI: 10.1353/flm.2012.0002
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  1. Divided Heaven (Der geteilte Himmel), and: Stars (Sterne/Zvezdy) (review)
  2. Scott Weiss
  3. pp. 59-62
  4. DOI: 10.1353/flm.2012.0007
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  1. Surviving the Dust Bowl (review)
  2. John Shelton Lawrence
  3. pp. 62-64
  4. DOI: 10.1353/flm.2012.0012
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  1. Tales from the Script (review)
  2. Laurence Raw
  3. pp. 64-66
  4. DOI: 10.1353/flm.2012.0017
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  1. Patsy Mink: Ahead of the Majority (review)
  2. Michael C. Reiff
  3. pp. 67-69
  4. DOI: 10.1353/flm.2012.0022
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  1. The Schumann Encounter (review)
  2. John C. Tibbetts
  3. pp. 69-71
  4. DOI: 10.1353/flm.2012.0027
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  1. Mystery of the Megavolcano, and: Monster of the Milky Way, and: Mystery of the Megaflood (review)
  2. A. Bowdoin Van Riper
  3. pp. 72-76
  4. DOI: 10.1353/flm.2012.0000
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  1. Farewell (review)
  2. D.B. Jones
  3. pp. 76-79
  4. DOI: 10.1353/flm.2012.0005
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  1. Shooting Women (review)
  2. Monika Raesch
  3. pp. 80-82
  4. DOI: 10.1353/flm.2012.0010
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  1. Belzec (review)
  2. Donna Yarri
  3. pp. 82-84
  4. DOI: 10.1353/flm.2012.0015
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  1. Belfast Girls (review)
  2. Ian Scott
  3. pp. 85-87
  4. DOI: 10.1353/flm.2012.0020
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  1. Gimme Shelter—the Rolling Stones (review)
  2. Tracy Santa
  3. pp. 87-90
  4. DOI: 10.1353/flm.2012.0025
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  1. Something to do with the Wall (review)
  2. Glenn Marcus, John Cooper
  3. pp. 90-93
  4. DOI: 10.1353/flm.2012.0031
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