1. All the World is a Book: Italian Renaissance Printing in a Global Perspective
  2. Dario Del Puppo
  3. pp. 1-22
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  1. Performance and the Socialized Text
  2. Ronald Broude
  3. pp. 23-47
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  1. Facsimile Editions: Gesture and Projection
  2. Meg Roland
  3. pp. 48-59
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  1. “Reportless Places”: Facing the Modern Manuscript
  2. Marta L. Werner
  3. pp. 60-83
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  1. What a Facsimile Edition Can and Cannot Do: Marianne Moore’s Diligence Is to Magic as Progress Is to Flight
  2. Robin G. Schulze
  3. pp. 84-91
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  1. Facsimiles and their Limits: The New Edition of Yeats’s The Winding Stair and Other Poems
  2. George Bornstein
  3. pp. 92-102
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  1. Are Manuscript Facsimiles Still Viable?
  2. James L. W. West III
  3. pp. 103-108
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  1. The Codex and the Knife
  2. Matt Cohen
  3. pp. 109-118
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  1. Bibliography and the Sociology of American Indian Texts
  2. Phillip H. Round
  3. pp. 119-132
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  1. Indigenous Textuality Studies and Cherokee Traditionalism: Notes Toward a Gagoga Rhetoric
  2. Christopher B. Teuton
  3. pp. 133-141
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  1. The Long History of Indigenous Textual Cultures: A Response
  2. Luis E. Cárcamo-Huechante
  3. pp. 142-146
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  1. Textual Cultures of Medieval Italy (review)
  2. Beatrice Arduini
  3. pp. 147-151
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  1. Owning William Shakespeare: The King’s Men and their Intellectual Property (review)
  2. Andrew Murphy
  3. pp. 151-154
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  1. One Must Not Go Altogether with the Tide: The Letters of Ezra Pound and Stanley Nott (review)
  2. Edward Burns
  3. pp. 154-160
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  1. The Earliest Advocates of the English Bible: The Texts of the Medieval Debate (review)
  2. Frans van Liere
  3. pp. 160-161
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  1. In My Power: Letter Writing and Communications in Early America (review)
  2. Adrian Chastain Weimer
  3. pp. 161-165
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  1. Contributors
  2. pp. 166-168
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