1. Editor's Note: What Is Dead and What Is Alive in Dance Phenomenology?
  2. Mark Franko
  3. pp. 1-4
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  1. Situated Dancing: Notes from Three Decades in Contact with Phenomenology
  2. Ann Cooper Albright
  3. pp. 7-18
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  1. Foucault's Turn From Phenomenology: Implications for Dance Studies
  2. Sally Ann Ness
  3. pp. 19-32
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  1. Phenomenology and Dance: Husserlian Meditations
  2. Anna Pakes
  3. pp. 33-49
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  1. Dance and Subtraction: Notes on Alain Badiou's Inaesthetics
  2. Jonathan Owen Clark
  3. pp. 51-64
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  1. Of Meanings and Movements: Re-Languaging Embodiment in Dance Phenomenology and Cognition
  2. Edward C. Warburton
  3. pp. 65-83
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  1. Closer: Performance, Technologies, Phenomenology (review)
  2. Catherine M. Soussloff
  3. pp. 86-88
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  1. Dance and the Nation: Performance, Ritual, and Politics in Sri Lanka (review)
  2. Ariel Osterweis Scott
  3. pp. 89-92
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  1. Dance in the Renaissance: European Fashion, French Obsession (review)
  2. Brandin Barón-Nusbaum
  3. pp. 92-94
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  1. Entangled: Technology and the Transformation of Performance (review)
  2. Harmony Bench
  3. pp. 94-97
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  1. Raising Dust: A Cultural History of Dance in Palestine (review)
  2. Najwa Adra
  3. pp. 97-101
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  1. Relationscapes: Movement, Art, Philosophy (review)
  2. Ashley Ferro-Murray
  3. pp. 101-104
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  1. Reworking the Ballet: Counter-Narratives and Alternative Bodies (review)
  2. Aino Kukkonen
  3. pp. 104-106
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  1. Stravinsky Dances: Re-Visions across a Century (review)
  2. Susan C. Cook
  3. pp. 106-109
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  1. Worlding Dance (review)
  2. Avanthi Meduri
  3. pp. 109-112
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  1. Kinesthetic Empathy: Concepts and Contexts, University of Manchester, England, April 22-23, 2010
  2. Shantel Ehrenberg, Karen Wood
  3. pp. 114-117
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  1. Letters to the Editor
  2. Jaime Duggan, Hallie Bauernschmidt
  3. p. 120
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  1. Books Received
  2. p. 121
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