1. From the CORD President, CORD/ASTR Welcoming
  2. Marta Savigliano
  3. pp. 1-2
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  1. Embodying Animal, Racial, Theatrical, and Commercial Power in The Lion King
  2. Ken Cerniglia, Aubrey Lynch II
  3. pp. 3-9
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  1. Recreating the Eye of the Beholder: Dancing and Spectacular Display in Early Modern English Theatre
  2. Erika T. Lin
  3. pp. 10-19
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  1. Power (Empowerment) through the Body, Self, and Black Male Identity in Contemporary Theatrical Modern Dance
  2. Carl Paris
  3. pp. 20-28
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  1. Price of Gold and Light: Power and Politics in Hey Ananta Punya
  2. Munjulika Rahman
  3. pp. 29-34
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  1. Power Working through/on Bodies in the UK
  2. Janelle Reinelt
  3. pp. 35-39
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  1. Shampoo Dancing and Scars–(Dis)Embodiment in Afro-Contemporary Choreography in South Africa
  2. Gerard M. Samuel
  3. pp. 40-47
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  1. Practice as Research: Foundations for a Community of Knowledge
  2. Ben Spatz
  3. pp. 48-57
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  1. El Güegüence, post-Sandinista Nicaragua, and the Resistant Politics of Dancing
  2. E. J. Westlake
  3. pp. 58-64
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  1. Power and the Body: Revisiting Dance and Theatre Aesthetic of Resistance in the Academy
  2. Praise Zenenga
  3. pp. 65-69
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  1. Session Overview
  2. pp. 70-92
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  1. Congress on Research in Dance 2010 Award Recipients
  2. p. 93
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