1. Weaving the Crusades: Bodies of Interlace in Tasso’s Gerusalemme liberata
  2. Jonathan Combs-Schilling
  3. pp. 1-22
  4. DOI: 10.1353/mln.2012.0006
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  1. Tasso’s Homeric Counterfactuals
  2. Sarah Van der Laan
  3. pp. 23-44
  4. DOI: 10.1353/mln.2012.0016
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  1. Imagining Narrative in Tasso: Revisiting Erminia
  2. Jane Tylus
  3. pp. 45-64
  4. DOI: 10.1353/mln.2012.0026
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  1. A Good Place for a Tale: Reading the Decameron in 1358–1363
  2. K. P. Clarke
  3. pp. 65-84
  4. DOI: 10.1353/mln.2012.0036
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  1. The Invention of Personality in Valla’s De falso credita et ementita Constantini donatione
  2. Douglas Pfeiffer
  3. pp. 85-107
  4. DOI: 10.1353/mln.2012.0045
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  1. Dead Souls: Leon Battista Alberti’s Anatomy of Humanism
  2. Timothy Kircher
  3. pp. 108-123
  4. DOI: 10.1353/mln.2012.0053
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  1. Fathers, Daughters, Crossdressing, and Names: L’Anconitana and Angelo Beolco/Ruzante’s Contribution to Commedia Erudita
  2. Alexandra Coller
  3. pp. 124-141
  4. DOI: 10.1353/mln.2012.0002
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  1. La terra trema as Palimpsest: Tracing Intertextualities between Literature, Theater, and Film in Pirandello and Visconti
  2. Stefano Giannini
  3. pp. 142-159
  4. DOI: 10.1353/mln.2012.0012
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  1. Genealogy of the Pagan Gods (review)
  2. Willis Goth Regier
  3. pp. 160-162
  4. DOI: 10.1353/mln.2012.0041
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  1. C.A.L.M.A. Compendium Auctorum Latinorum Medii Aevi (500–1500) (review)
  2. Stefano U. Baldassarri
  3. pp. 162-163
  4. DOI: 10.1353/mln.2012.0022
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  1. Her Maestro’s Echo. Pirandello and the Actress Who Conquered Broadway in One Evening (review)
  2. Stefano Giannini
  3. pp. 163-165
  4. DOI: 10.1353/mln.2012.0032
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  1. L’invenzione del romanzo. Dall’oralità alla lettura silenziosa (review)
  2. Giulio Savelli
  3. pp. 165-167
  4. DOI: 10.1353/mln.2012.0050
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