1. Public Spectacles: Caribbean Women and the Politics of Public Performance
  2. Belinda Edmondson
  3. pp. 1-16
  4. DOI: 10.1353/smx.2003.0004
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  1. Becoming the People’s Poet: Claude McKay’s Jamaican Years, 1889-1912
  2. Winston James
  3. pp. 17-45
  4. DOI: 10.1353/smx.2003.0009
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  1. The Harder They Come: Rougher Version
  2. Loretta Collins
  3. pp. 46-71
  4. DOI: 10.1353/smx.2003.0002
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  1. Predation Politics and the Political Impasse in Jamaica
  2. Obika Gray
  3. pp. 72-94
  4. DOI: 10.1353/smx.2003.0008
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  1. Is Not Everything Good to Eat, Good to Talk: Sexual Economy and Dancehall Music in the Global Marketplace
  2. Patricia J. Saunders
  3. pp. 95-115
  4. DOI: 10.1353/smx.2003.0013
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  1. Nineteenth- and Early-Twentieth-Century Perspectives on Women in the Discourses of Radical Black Caribbean Men
  2. Wigmoore Francis
  3. pp. 116-139
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  1. Elephant Dreams
  2. Ifeona Fulani
  3. pp. 140-157
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  1. Reckoning
  2. Robert Edison Sandiford
  3. pp. 158-163
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  1. Elemental
  2. John Robert Lee
  3. pp. 164-167
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  1. Pointe des Chateaux, Guadeloupe, and: The Doctor, and: Pearl and Me
  2. Cyril Dabydeen
  3. pp. 168-171
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  1. Writing the Autobiography of My Father (review)
  2. Curdella Forbes
  3. pp. 172-176
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  1. Localizing the Aesthetic Search: Walcott’s Caribbean Poetics in Abandoning Dead Metaphors
  2. Harold McDermott
  3. pp. 177-180
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  1. Contributors
  2. pp. 181-182
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