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In this Issue

Table of Contents

Focus: The New South?

  1. Introduction to Focus: The New South?
  2. Tom Williams
  3. p. 3
  4. DOI: https://doi.org/10.1353/abr.2008.0159
  5. restricted access
  1. The Yazoo Blues
  2. C. D. Albin
  3. p. 4
  4. DOI: https://doi.org/10.1353/abr.2008.0164
  5. restricted access
  1. Pride and Shame
  2. Sean Bernard
  3. pp. 5-6
  4. DOI: https://doi.org/10.1353/abr.2008.0140
  5. restricted access
  1. Play and Pull
  2. John A. McDermott
  3. pp. 6-7
  4. DOI: https://doi.org/10.1353/abr.2008.0144
  5. restricted access
  1. The Red Road
  2. Catherine Calloway
  3. p. 7
  4. DOI: https://doi.org/10.1353/abr.2008.0148
  5. restricted access
  1. Landscape of Fear
  2. Abby Nance
  3. p. 8
  4. DOI: https://doi.org/10.1353/abr.2008.0152
  5. restricted access

Feature: Complex Identities

  1. Sitting on the Hyphen
  2. Dimitrios Kalantzis
  3. pp. 9-10
  4. DOI: https://doi.org/10.1353/abr.2008.0157
  5. restricted access
  1. The Relevance of Lustrously Colorful Dreams
  2. Emily Raboteau
  3. pp. 10-11
  4. DOI: https://doi.org/10.1353/abr.2008.0162
  5. restricted access
  1. Give a Listen
  2. Richard Jeffrey Newman
  3. pp. 11-12
  4. DOI: https://doi.org/10.1353/abr.2008.0138
  5. restricted access

Feature: Poetry in Form

  1. Ekphrasis Now
  2. Adam Clay
  3. p. 13
  4. DOI: https://doi.org/10.1353/abr.2008.0142
  5. restricted access
  1. Poetics of Control
  2. Frank Giampietro
  3. p. 14
  4. DOI: https://doi.org/10.1353/abr.2008.0146
  5. restricted access
  1. Lasting Radiance
  2. Laura Longsong
  3. pp. 14-28
  4. DOI: https://doi.org/10.1353/abr.2008.0150
  5. restricted access

Book Reviews

  1. The Great American Cricket Novel
  2. Tom LeClair
  3. p. 16
  4. DOI: https://doi.org/10.1353/abr.2008.0155
  5. restricted access
  1. Scars and Splendor
  2. Walter Hess
  3. p. 17
  4. DOI: https://doi.org/10.1353/abr.2008.0160
  5. restricted access
  1. The Art of Nancy
  2. Mark Best
  3. pp. 18-19
  4. DOI: https://doi.org/10.1353/abr.2008.0165
  5. restricted access
  1. I Give You My Word
  2. Steven G. Kellman
  3. p. 19
  4. DOI: https://doi.org/10.1353/abr.2008.0141
  5. restricted access
  1. The Value of Ambiguity
  2. John Domini
  3. p. 20
  4. DOI: https://doi.org/10.1353/abr.2008.0145
  5. restricted access
  1. Reviewing Reviewing
  2. Anis Shivani
  3. pp. 20-21
  4. DOI: https://doi.org/10.1353/abr.2008.0149
  5. restricted access
  1. India Blue
  2. Reinhard Postelmann
  3. p. 23
  4. DOI: https://doi.org/10.1353/abr.2008.0153
  5. restricted access
  1. Sitting on Kittens
  2. George Williams
  3. pp. 23-24
  4. DOI: https://doi.org/10.1353/abr.2008.0158
  5. restricted access
  1. The Laying Out of Bones
  2. Kelly Cherry
  3. pp. 24-25
  4. DOI: https://doi.org/10.1353/abr.2008.0163
  5. restricted access
  1. Oulipo Remix
  2. Karla Kelsey
  3. pp. 25-26
  4. DOI: https://doi.org/10.1353/abr.2008.0139
  5. restricted access
  1. On Memorial Stones
  2. Marilyne Bertoncini
  3. p. 26
  4. DOI: https://doi.org/10.1353/abr.2008.0143
  5. restricted access
  1. Antic Absurdity
  2. Jeff Bursey
  3. p. 27
  4. DOI: https://doi.org/10.1353/abr.2008.0147
  5. restricted access
  1. The Pressure of Narrative
  2. Lise Clavel
  3. p. 28
  4. DOI: https://doi.org/10.1353/abr.2008.0151
  5. restricted access

Departments

  1. Page 2: The Big Dialogue
  2. Jeffrey R. Di Leo
  3. pp. 2-8
  4. DOI: https://doi.org/10.1353/abr.2008.0154
  5. restricted access
  1. Scenes: Dzanc Books
  3. p. 29
  4. DOI: https://doi.org/10.1353/abr.2008.0156
  5. restricted access
  1. From Our Own
  2. Lynnell Edwards
  3. p. 30
  4. DOI: https://doi.org/10.1353/abr.2008.0161
  5. restricted access