In this Issue

Table of Contents

Of Blood and Blindness: Islam and Huguenot Identity in Aubigné's "Jugement" (Tragiques VII)

Marcus Keller
pp. 137-149
DOI: https://doi.org/10.1353/rmc.2008.0024
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"Ex Desuetudine Amittuntur Privilegia": Rabelais, Urquhart, and Les Clercs

Charles Clay Doyle
pp. 151-155
DOI: https://doi.org/10.1353/rmc.2008.0002
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The Prose Poem as Puzzle: Letter Patterns in Rimbaud's "Mystique"

Catherine Bordeau
pp. 157-164
DOI: https://doi.org/10.1353/rmc.2008.0006
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Une relecture du poeme de Prevert "Dejeuner du matin"

Vincent Grégoire
pp. 165-174
DOI: https://doi.org/10.1353/rmc.2008.0010
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Inside the Writer's Studio: Jean-Philippe Toussaint's Mes bureaux: Luoghi dove scrivo

Arcana Albright
pp. 175-184
DOI: https://doi.org/10.1353/rmc.2008.0014
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Alchemies of Modern Experimentation in Writing: Leopardi, Baudelaire, and the Distillation of Wine Symbolism

Carmen Mayer-Robin
pp. 185-193
DOI: https://doi.org/10.1353/rmc.2008.0018
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A puerta cerrada: función de Madrid en Miau de Benito Pérez Galdós

Joan Torres-Pou
pp. 195-203
DOI: https://doi.org/10.1353/rmc.2008.0022
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Las visitas en Doña Rosita la soltera: ¿ ambientales o reflejos?

Arthur Brakel
pp. 205-213
DOI: https://doi.org/10.1353/rmc.2008.0000
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El referente real relegado: Fantasía y ficción en Carlos Monsiváis, cuentista

Linda Egan
pp. 215-225
DOI: https://doi.org/10.1353/rmc.2008.0004
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A linha narrativa nas cantigas de Pero Meogo

Marcelo da Silva Amorim
pp. 227-234
DOI: https://doi.org/10.1353/rmc.2008.0008
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A linguagem obscena do Parvo no Auto da Barca do Inferno de Gil Vicente: uma luta de palavras pelos espaços divinos

Monserrat Bores Martínez
pp. 235-245
DOI: https://doi.org/10.1353/rmc.2008.0012
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Vínculos homossociais e homoeróticos em Dom Casmurro de Machado de Assis

Camilo Gomides
pp. 247-254
DOI: https://doi.org/10.1353/rmc.2008.0016
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Tempos de Borges, sombras do bruxo: A intertextualidade como metáfora do eterno em Memorial de Buenos Aires, de Antonio Fernando Borges

Luciana Namorato
pp. 255-262
DOI: https://doi.org/10.1353/rmc.2008.0020
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