In this Issue

Table of Contents

‘Dans le palais du son, on fait de la farine’: Performing at the Opéra during the 1870 Siege of Paris

Delphine Mordey
pp. 1-28
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‘So klingt Wien’: Conductors, Orchestras, and Vibrato in the Nineteenth and Early Twentieth Centuries

David Hurwitz
pp. 29-60
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Nikolay Myaskovsky and the Events of 1948

Patrick Zuk
pp. 61-85
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Music and the Irish Literary Imagination (review)

Aidan J. Thomson
pp. 86-89
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The Making of a Reform Jewish Cantor: Musical Authority, Cultural Investment (review)

Abigail Wood
pp. 89-90
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Thresholds: Rethinking Spirituality through Music (review)

Robert Sholl
pp. 90-93
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Music and Power in the Soviet 1930s: A History of Composers’ Bureaucracy (review)

William Quillen
pp. 94-96
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The Faber Pocket Guide to Britten, and: Letter from a Life: The Selected Letters of Benjamin Britten, Vol. 5: 1958–1965 (review)

Christopher Mark
pp. 96-101
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Lennox and Freda (review)

Arnold Whittall
pp. 101-103
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British Music and Modernism, 1895–1960 (review)

Philip Rupprecht
pp. 103-106
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Jazz Age Catholicism: Mystic Modernism in Postwar Paris 1919–1933 (review)

Robert Sholl
pp. 106-110
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Carl Nielsen and the Idea of Modernism (review)

Arnold Whittall
pp. 110-111
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The Cambridge Companion to Schoenberg (review)

Mark Delaere
pp. 111-115
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August Halm: A Critical and Creative Life in Music (review)

Nicholas Attfield
pp. 115-117
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Musikalische Analyse und kulturgeschichtliche Kontextualisierung: Für Reinhold Brinkmann (review)

James Garratt
pp. 117-119
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Verdi and the Germans: From Unification to the Third Reich (review)

Alexandra Wilson
pp. 119-121
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Rossini in Restoration Paris: The Sound of Modern Life (review)

Simon Williams
pp. 121-123
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Goethe and Zelter: Musical Dialogues (review)

Celia Applegate
pp. 123-126
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Beethoven’s Chamber Music in Context (review)

Barry Cooper
pp. 126-128
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Beethoven aus der Sicht seiner Zeitgenossen in Tagebüchern, Briefen, Gedichten und Erinnerungen – Bd. 1 & 2 (review)

Matthew Pilgher
pp. 128-130
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Marianna Martines: A Woman Composer in the Vienna of Mozart and Haydn (review)

Susan Wollenberg
pp. 130-132
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The Cambridge History of Eighteenth-Century Music (review)

Harry White
pp. 132-136
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Ballet de la Nuit (review)

Sarah McCleave
pp. 136-138
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Der Genfer Psalter in den Niederlanden, Deutschland, England und dem Osmanischen Reich (16.–18. Jahrhundert) (review)

Daniel Trocmé-Latter
pp. 138-140
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Antiphonaria: Studien zu Quellen und Gesängen des mittelalterlichen Offiziums (review)

Emma Hornby
pp. 141-142
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‘Music & Letters’ Awards

p. 144
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Authors of Articles in this Issue

p. 144
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Books Received

pp. 145-147
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