In this Issue

Table of Contents

The Picaresque and the Grotesque: Two Beauties and the Their Beasts

Nancy Marie Blain
pp. 161-170
DOI: https://doi.org/10.1353/rmc.2011.0013
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Haunted Bodies and Haunting Memories: Transference and Transcendence of "h/Histoires" in Calixthe Beyala's Tu t'appelleras Tanga

Claire Mouflard
pp. 171-178
DOI: https://doi.org/10.1353/rmc.2011.0017
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Figuring Musical Motifs and Textual Polyphony in Nancy Huston's Prodige: Polyphonie

Patrice J. Proulx
pp. 179-190
DOI: https://doi.org/10.1353/rmc.2011.0021
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Montesquieu et l'intériorisation de la religion

Peter Eubanks
pp. 191-198
DOI: https://doi.org/10.1353/rmc.2011.0025
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The Time-Image from Pasolini to Ciprì and Maresco

Kathryn St. Ours
pp. 199-208
DOI: https://doi.org/10.1353/rmc.2011.0004
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Deconstructing the "Good-Old Boy" Ethic: Male Friendship in Luis Fernando Verissimo's O Clube dos Anjos

Zachary F. Miller
pp. 209-216
DOI: https://doi.org/10.1353/rmc.2011.0008
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Modern and Postcolonial?: Oswald de Andrade's Antropofagia and the Politics of Labeling

Antonio Luciano de Andrade Tosta
pp. 217-226
DOI: https://doi.org/10.1353/rmc.2011.0011
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Transforma-se o amador na coisa amada: Hegelian Recognition in a Sonnet by Camões

Robert Patrick Newcomb
pp. 227-235
DOI: https://doi.org/10.1353/rmc.2011.0015
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Agua con sal: Otredad y exotismo caribeño en el cine español contemporáneo

Cristina Carrasco
pp. 237-246
DOI: https://doi.org/10.1353/rmc.2011.0019
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The Da Vinci Drag ou La Joconde De Reinaldo Arenas

Nicolas Balutet
pp. 247-256
DOI: https://doi.org/10.1353/rmc.2011.0023
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The Rebranding of Francoism's Originary Violence in José Antonio Nieves Conde's Balarrasa

Matt Losada
pp. 257-265
DOI: https://doi.org/10.1353/rmc.2011.0001
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