Framework: The Journal of Cinema and Media

In this Issue

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Editorial

Drake Stutesman

p. 1

DOI: https://doi.org/10.1353/frm.2012.0010

Rending the Veils of Illusion: W. Somerset Maugham’s The Letter and Its Two Definitive Film Interpretations

John Thomas McGuire

pp. 7-21

DOI: https://doi.org/10.1353/frm.2012.0013

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Retelling Polish History through the “Soft Avant-Garde” Films of the 1960s

Ewa Mazierska

pp. 22-39

DOI: https://doi.org/10.1353/frm.2012.0001

Belabored: Style as Work

John David Rhodes

pp. 47-64

DOI: https://doi.org/10.1353/frm.2012.0005

Wastrels of Time: Slow Cinema’s Laboring Body, the Political Spectator, and the Queer

Karl Schoonover

pp. 65-78

DOI: https://doi.org/10.1353/frm.2012.0007

The Body’s Failed Labor: Performance Work in Sexploitation Cinema

Elena Gorfinkel

pp. 79-98

DOI: https://doi.org/10.1353/frm.2012.0009

The State of Labor and Labor for the State: Syrian and Egyptian Cinema beyond the 2011 Uprisings

Kay Dickinson

pp. 99-116

DOI: https://doi.org/10.1353/frm.2012.0012

Picturing The Postmaster: Tagore, Ray, and the Making of an Uncanny Modernity

Mrinalini Chakravorty

pp. 117-146

DOI: https://doi.org/10.1353/frm.2012.0000

French Film and Work: The Work Done by Work-Centered Films

Martin O’Shaughnessy

pp. 155-171

DOI: https://doi.org/10.1353/frm.2012.0004

Cinema, the Post-Fordist Worker, and Immaterial Labor: From Post-Hollywood to the European Art Film

Michael Goddard, Benjamin Halligan

pp. 172-189

DOI: https://doi.org/10.1353/frm.2012.0006

“Heroes of the Working Class”?: Work in Czechoslovak Films of the New-Wave and Postcommunist Years

Jonathan Owen

pp. 190-206

DOI: https://doi.org/10.1353/frm.2012.0008

What Happened to the Polish Multitude?: Representation of Working People in Polish Postcommunist Cinema

Ewa Mazierska

pp. 207-227

DOI: https://doi.org/10.1353/frm.2012.0011

Introduction

Elena Gorfinkel

pp. 43-46

DOI: https://doi.org/10.1353/frm.2012.0003

Introduction: Cinema and the Realities of Work

Ewa Mazierska

pp. 149-154

DOI: https://doi.org/10.1353/frm.2012.0002

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Additional Information
ISSN	1559-7989
Print ISSN	0306-7661
Launched on MUSE	2012-03-14
Open Access	No

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Additional Issue Materials

Editorial Board

Framework: The Journal of Cinema and Media

In this Issue

Volume 53, Number 1, Spring 2012

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Table of Contents

Editorial

Rending the Veils of Illusion: W. Somerset Maugham’s The Letter and Its Two Definitive Film Interpretations

Retelling Polish History through the “Soft Avant-Garde” Films of the 1960s

Belabored: Style as Work

Wastrels of Time: Slow Cinema’s Laboring Body, the Political Spectator, and the Queer

The Body’s Failed Labor: Performance Work in Sexploitation Cinema

The State of Labor and Labor for the State: Syrian and Egyptian Cinema beyond the 2011 Uprisings

Picturing The Postmaster: Tagore, Ray, and the Making of an Uncanny Modernity

French Film and Work: The Work Done by Work-Centered Films

Cinema, the Post-Fordist Worker, and Immaterial Labor: From Post-Hollywood to the European Art Film

“Heroes of the Working Class”?: Work in Czechoslovak Films of the New-Wave and Postcommunist Years

What Happened to the Polish Multitude?: Representation of Working People in Polish Postcommunist Cinema

Introduction

Introduction: Cinema and the Realities of Work

Previous Issue

Next Issue

Copyright

Additional Issue Materials

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