In this Issue
Eugene O’Neill’s entire life revolved around the stage, and his productivity as a dramatist—some twenty long plays in less than twenty-five years (1920–1943)—remains a remarkable achievement. O’Neill’s plays are known for their intensely personal qualities, their dark realism, and their tragic honesty. O’Neill is the only American playwright ever to receive a Nobel Prize in Literature and is recognized as having helped to establish America as a center of theatrical output and creativity.
published by
Penn State University Pressviewing issue
Volume 33, Number 1, 2012Table of Contents
Articles
pp. 1-13
pp. 14-23
pp. 43-55
pp. 56-70
pp. 91-109
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View The New Deal Cometh: Examining The Iceman Cometh and Hughie in Relation to the Rhetoric of the Roosevelt Administration
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The New Deal Cometh: Examining The Iceman Cometh and Hughie in Relation to the Rhetoric of the Roosevelt Administration
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Note
pp. 110-114
Book Reviews
pp. 115-118
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View Eugene O'Neill and His Early Contemporaries: Bohemians, Radicals, Progressives, and the Avant Garde (review)
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Eugene O'Neill and His Early Contemporaries: Bohemians, Radicals, Progressives, and the Avant Garde (review)
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pp. 119-122
pp. 123-125
Performance Reviews
pp. 141-144
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View The Complete & Condensed Stage Directions of Eugene O'Neill, Volume One: Early Plays/Lost Plays (review)
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The Complete & Condensed Stage Directions of Eugene O'Neill, Volume One: Early Plays/Lost Plays (review)
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Notes on Contributors
Next Issue
| ISSN | 2161-4318 |
|---|---|
| Print ISSN | 1040-9483 |
| Launched on MUSE | 2012-03-12 |
| Open Access | No |
