In this Issue

Table of Contents

An Uncommon Woman: An Interview with Wendy Wasserstein

Jackson R. Bryer
pp. 1-17
DOI: https://doi.org/10.1353/ths.2009.0016
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Thresholds of Pain in Performance: Tormenting the Actor and Audience

Carolyn D. Roark
pp. 18-31
DOI: https://doi.org/10.1353/ths.2009.0022
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Designing American Modernity: David Belasco's The Governor's Lady and Robert Edmond Jones's The Man Who Married a Dumb Wife

Christin Essin
pp. 32-51
DOI: https://doi.org/10.1353/ths.2009.0027
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A Historiography of Informed Imagination: A (Hi)Story Drawn from the Correspondence of Annie Russell and Faith Baldwin

Joseph Bromfield, Jennifer Jones Cavenaugh
pp. 52-80
DOI: https://doi.org/10.1353/ths.2009.0032
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The Final Straw: Producing James Purdy at the Trinity Square Rep

Valleri J. Hohman
pp. 95-102
DOI: https://doi.org/10.1353/ths.2009.0009
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Disappearing Frontiers and the National Stage: Placing the Portland Federal Theatre Project

Elizabeth Osborne
pp. 103-121
DOI: https://doi.org/10.1353/ths.2009.0014
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"Can't Someone Find Him a Stimulant?": The Treatment of Prohibition on the American Stage, 1920-1933

Larry D. Clark
pp. 122-147
DOI: https://doi.org/10.1353/ths.2009.0020
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The Tricks of Lun: Mimesis and Mimicry in John Rich's Performance and Conception of Pantomimes

Marc Martinez
pp. 148-170
DOI: https://doi.org/10.1353/ths.2009.0025
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Sensational with the Greeks and Daring with Shakespeare but Not So Sure about Shaw: Performance of George Bernard Shaw at Terence Gray's Festival Theatre, Cambridge, England, 1926-1935

Paul Cornwell
pp. 171-199
DOI: https://doi.org/10.1353/ths.2009.0030
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Angels in the American Theater: Patrons, Patronage, and Philanthropy (review)

Cynthia L. Allan
pp. 201-203
DOI: https://doi.org/10.1353/ths.2009.0002
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Susan Glaspell and Sophie Treadwell (review)

Anne Beck
pp. 203-205
DOI: https://doi.org/10.1353/ths.2009.0007
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Theatre in Theory, 1900-2000: An Anthology (review)

Henry Bial
pp. 205-208
DOI: https://doi.org/10.1353/ths.2009.0012
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Racism on the Victorian Stage: Representations of Slavery and the Black Character (review)

Jocelyn L. Buckner
pp. 208-210
DOI: https://doi.org/10.1353/ths.2009.0018
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The Theatre of Socìetas Raffaello Sanzio (review)

Matthew Causey
pp. 210-213
DOI: https://doi.org/10.1353/ths.2009.0023
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Entertaining the Nation: American Drama in the Eighteenth and Nineteenth Centuries (review)

Larry D. Clark
pp. 213-215
DOI: https://doi.org/10.1353/ths.2009.0028
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Modernism, Drama, and the Audience for Irish Spectacle (review)

Meredith Conti
pp. 215-217
DOI: https://doi.org/10.1353/ths.2009.0000
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Electric Salome: Loie Fuller's Performance of Modernism (review)

Patricia K. Downey
pp. 218-220
DOI: https://doi.org/10.1353/ths.2009.0005
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Modernist Aesthetics and Consumer Culture in the Writings of Oscar Wilde (review)

Hephzibah D. Dutt
pp. 220-223
DOI: https://doi.org/10.1353/ths.2009.0010
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American Drama in the Age of Film (review)

Kurt Eisen
pp. 223-226
DOI: https://doi.org/10.1353/ths.2009.0015
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Interrogating America through Theatre and Performance (review)

Harry J. Elam Jr.
pp. 226-228
DOI: https://doi.org/10.1353/ths.2009.0021
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Eugene O'Neill's America: Desire under Democracy (review)

Fonzie D. Geary II
pp. 228-230
DOI: https://doi.org/10.1353/ths.2009.0026
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Robert E. Sherwood: The Playwright in Peace and War (review)

Scott R. Irelan
pp. 231-233
DOI: https://doi.org/10.1353/ths.2009.0031
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Performing Patriotism: National Identity in the Colonial and Revolutionary American Theatre (review)

Odai Johnson
pp. 233-236
DOI: https://doi.org/10.1353/ths.2009.0003
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The Moscow Yiddish Theater: Art on Stage in the Time of Revolution (review)

Cary R. Leiter
pp. 237-239
DOI: https://doi.org/10.1353/ths.2009.0008
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Historical Dictionary of Russian Theater (review)

Felicia Hardison Londré
pp. 239-241
DOI: https://doi.org/10.1353/ths.2009.0013
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A History of Asian American Theatre (review)

María Isabel Seguro
pp. 241-244
DOI: https://doi.org/10.1353/ths.2009.0019
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"Divine Thalie": The Career of Jeanne Quinault (review)

Jeanne Willcoxon
pp. 244-246
DOI: https://doi.org/10.1353/ths.2009.0024
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Contemporary African American Women Playwrights (review)

Kirk Woodward
pp. 246-249
DOI: https://doi.org/10.1353/ths.2009.0029
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Querying Difference in Theatre History (review)

Patricia Ybarra
pp. 249-251
DOI: https://doi.org/10.1353/ths.2009.0001
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Illustrations

p. ix
DOI: https://doi.org/10.1353/ths.2009.0017
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The Miseries of History: Shakespearian Extremity as Cautionary Tale on the Restoration Stage

Robert Shimko
pp. 81-94
DOI: https://doi.org/10.1353/ths.2009.0004
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Books Received

pp. 253-254
DOI: https://doi.org/10.1353/ths.2009.0006
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Contributors

pp. 255-257
DOI: https://doi.org/10.1353/ths.2009.0011
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