1. An Uncommon Woman: An Interview with Wendy Wasserstein
  2. Jackson R. Bryer
  3. pp. 1-17
  4. DOI: 10.1353/ths.2009.0016
  5. restricted access contents
  1. Thresholds of Pain in Performance: Tormenting the Actor and Audience
  2. Carolyn D. Roark
  3. pp. 18-31
  4. DOI: 10.1353/ths.2009.0022
  5. restricted access contents
  1. The Final Straw: Producing James Purdy at the Trinity Square Rep
  2. Valleri J. Hohman
  3. pp. 95-102
  4. DOI: 10.1353/ths.2009.0009
  5. restricted access contents
  1. Disappearing Frontiers and the National Stage: Placing the Portland Federal Theatre Project
  2. Elizabeth Osborne
  3. pp. 103-121
  4. DOI: 10.1353/ths.2009.0014
  5. restricted access contents
  1. "Can't Someone Find Him a Stimulant?": The Treatment of Prohibition on the American Stage, 1920-1933
  2. Larry D. Clark
  3. pp. 122-147
  4. DOI: 10.1353/ths.2009.0020
  5. restricted access contents
  1. The Tricks of Lun: Mimesis and Mimicry in John Rich's Performance and Conception of Pantomimes
  2. Marc Martinez
  3. pp. 148-170
  4. DOI: 10.1353/ths.2009.0025
  5. restricted access contents
  1. Angels in the American Theater: Patrons, Patronage, and Philanthropy (review)
  2. Cynthia L. Allan
  3. pp. 201-203
  4. DOI: 10.1353/ths.2009.0002
  5. restricted access contents
  1. Susan Glaspell and Sophie Treadwell (review)
  2. Anne Beck
  3. pp. 203-205
  4. DOI: 10.1353/ths.2009.0007
  5. restricted access contents
  1. Theatre in Theory, 1900-2000: An Anthology (review)
  2. Henry Bial
  3. pp. 205-208
  4. DOI: 10.1353/ths.2009.0012
  5. restricted access contents
  1. Racism on the Victorian Stage: Representations of Slavery and the Black Character (review)
  2. Jocelyn L. Buckner
  3. pp. 208-210
  4. DOI: 10.1353/ths.2009.0018
  5. restricted access contents
  1. The Theatre of Socìetas Raffaello Sanzio (review)
  2. Matthew Causey
  3. pp. 210-213
  4. DOI: 10.1353/ths.2009.0023
  5. restricted access contents
  1. Entertaining the Nation: American Drama in the Eighteenth and Nineteenth Centuries (review)
  2. Larry D. Clark
  3. pp. 213-215
  4. DOI: 10.1353/ths.2009.0028
  5. restricted access contents
  1. Modernism, Drama, and the Audience for Irish Spectacle (review)
  2. Meredith Conti
  3. pp. 215-217
  4. DOI: 10.1353/ths.2009.0000
  5. restricted access contents
  1. Electric Salome: Loie Fuller's Performance of Modernism (review)
  2. Patricia K. Downey
  3. pp. 218-220
  4. DOI: 10.1353/ths.2009.0005
  5. restricted access contents
  1. Modernist Aesthetics and Consumer Culture in the Writings of Oscar Wilde (review)
  2. Hephzibah D. Dutt
  3. pp. 220-223
  4. DOI: 10.1353/ths.2009.0010
  5. restricted access contents
  1. American Drama in the Age of Film (review)
  2. Kurt Eisen
  3. pp. 223-226
  4. DOI: 10.1353/ths.2009.0015
  5. restricted access contents
  1. Interrogating America through Theatre and Performance (review)
  2. Harry J. Elam Jr.
  3. pp. 226-228
  4. DOI: 10.1353/ths.2009.0021
  5. restricted access contents
  1. Eugene O'Neill's America: Desire under Democracy (review)
  2. Fonzie D. Geary II
  3. pp. 228-230
  4. DOI: 10.1353/ths.2009.0026
  5. restricted access contents
  1. Robert E. Sherwood: The Playwright in Peace and War (review)
  2. Scott R. Irelan
  3. pp. 231-233
  4. DOI: 10.1353/ths.2009.0031
  5. restricted access contents
  1. Performing Patriotism: National Identity in the Colonial and Revolutionary American Theatre (review)
  2. Odai Johnson
  3. pp. 233-236
  4. DOI: 10.1353/ths.2009.0003
  5. restricted access contents
  1. The Moscow Yiddish Theater: Art on Stage in the Time of Revolution (review)
  2. Cary R. Leiter
  3. pp. 237-239
  4. DOI: 10.1353/ths.2009.0008
  5. restricted access contents
  1. Historical Dictionary of Russian Theater (review)
  2. Felicia Hardison Londré
  3. pp. 239-241
  4. DOI: 10.1353/ths.2009.0013
  5. restricted access contents
  1. A History of Asian American Theatre (review)
  2. María Isabel Seguro
  3. pp. 241-244
  4. DOI: 10.1353/ths.2009.0019
  5. restricted access contents
  1. "Divine Thalie": The Career of Jeanne Quinault (review)
  2. Jeanne Willcoxon
  3. pp. 244-246
  4. DOI: 10.1353/ths.2009.0024
  5. restricted access contents
  1. Contemporary African American Women Playwrights (review)
  2. Kirk Woodward
  3. pp. 246-249
  4. DOI: 10.1353/ths.2009.0029
  5. restricted access contents
  1. Querying Difference in Theatre History (review)
  2. Patricia Ybarra
  3. pp. 249-251
  4. DOI: 10.1353/ths.2009.0001
  5. restricted access contents
  1. Illustrations
  2. p. ix
  3. DOI: 10.1353/ths.2009.0017
  4. restricted access contents
  1. The Miseries of History: Shakespearian Extremity as Cautionary Tale on the Restoration Stage
  2. Robert Shimko
  3. pp. 81-94
  4. DOI: 10.1353/ths.2009.0004
  5. restricted access contents
  1. Books Received
  2. pp. 253-254
  3. DOI: 10.1353/ths.2009.0006
  4. restricted access contents
  1. Contributors
  2. pp. 255-257
  3. DOI: 10.1353/ths.2009.0011
  4. restricted access contents