In this Issue

Table of Contents

The Copeland Opera House

Brian Leahy Doyle
pp. 1-21
DOI: https://doi.org/10.1353/ths.2007.0020
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The Masculine Transformations of "Genial" John McCullough

Karl M. Kippola
pp. 22-38
DOI: https://doi.org/10.1353/ths.2007.0016
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The Master and the Mademoiselle: Gender Secrets in Plain Sight in Antebellum Performance

Shauna Vey
pp. 39-59
DOI: https://doi.org/10.1353/ths.2007.0012
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"There Was No Resisting John Canoe": Circum-Atlantic Transracial Performance

Peter Reed
pp. 65-85
DOI: https://doi.org/10.1353/ths.2007.0021
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"Talking B(l)ack": Construction of Gender and Race in the Plays of Eulalie Spence

Adrienne C. Macki
pp. 86-109
DOI: https://doi.org/10.1353/ths.2007.0001
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Embodying Diaspora: Ambivalence and Utopia in Contemporary Cape Verdean Theatre

Christina S. McMahon
pp. 110-138
DOI: https://doi.org/10.1353/ths.2007.0004
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The Cambridge Companion to Edward Albee, and: Stretching My Mind (review)

David A. Crespy
pp. 139-141
DOI: https://doi.org/10.1353/ths.2007.0007
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No Applause—Just Throw Money: The Book That Made Vaudeville Famous (review)

Felicia Hardison Londré
pp. 142-143
DOI: https://doi.org/10.1353/ths.2007.0010
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Bernard Shaw: A Life (review)

Michael M. O'Hara
pp. 143-146
DOI: https://doi.org/10.1353/ths.2007.0014
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Theatre for Children: Fifteen Classical Plays (review)

Kristin Leahey
pp. 146-148
DOI: https://doi.org/10.1353/ths.2007.0019
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Laboring to Play: Home Entertainment and the Spectacle of Middle-Class Cultural Life, 1850-1920, and: The Most American Thing in America: Circuit Chautauqua as Performance (review)

Dorothy Chansky
pp. 148-153
DOI: https://doi.org/10.1353/ths.2007.0023
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Expressionism and Modernism in the American Theatre: Bodies, Voices, Words (review)

Vanessa Baker
pp. 153-155
DOI: https://doi.org/10.1353/ths.2007.0003
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High Drama: Colorado's Historic Theatres (review)

Mary Barile
pp. 156-158
DOI: https://doi.org/10.1353/ths.2007.0006
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Look to the Lady: Sarah Siddons, Ellen Terry, and Judi Dench on the Shakespearean Stage (review)

Brian T. Carney
pp. 158-160
DOI: https://doi.org/10.1353/ths.2007.0000
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Blackface Cuba, 1840-1895 (review)

David Krasner
pp. 160-162
DOI: https://doi.org/10.1353/ths.2007.0009
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The Gay and Lesbian Theatrical Legacy: A Biographical Dictionary of Major Figures in American Stage History in the Pre-Stonewall Era (review)

Stacy Wolf
pp. 163-165
DOI: https://doi.org/10.1353/ths.2007.0013
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Performing Opposition: Modern Theater and the Scandalized Audience (review)

Mary Trotter
pp. 165-167
DOI: https://doi.org/10.1353/ths.2007.0018
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The Provincetown Players and the Culture of Modernity (review)

Robert K. Sarlós
pp. 167-170
DOI: https://doi.org/10.1353/ths.2007.0022
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A Student Guide to Play Analysis (review)

Kate Sinnett
pp. 170-172
DOI: https://doi.org/10.1353/ths.2007.0002
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Words at Play: Creative Writing and Dramaturgy (review)

Karin Magaldi
pp. 172-174
DOI: https://doi.org/10.1353/ths.2007.0005
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Illustrations

pp. ix-x
DOI: https://doi.org/10.1353/ths.2007.0011
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The Diasporic Imagination: Introduction to Essays by Peter Reed, Adrienne C. Macki, and Christina S. McMahon

Heather S. Nathans
pp. 60-64
DOI: https://doi.org/10.1353/ths.2007.0017
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Books Received

pp. 175-176
DOI: https://doi.org/10.1353/ths.2007.0015
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Contributors

pp. 177-178
DOI: https://doi.org/10.1353/ths.2007.0008
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Next Issue

Volume 28, 2008