1. The Copeland Opera House
  2. Brian Leahy Doyle
  3. pp. 1-21
  4. DOI: 10.1353/ths.2007.0020
  5. restricted access contents
  1. The Masculine Transformations of "Genial" John McCullough
  2. Karl M. Kippola
  3. pp. 22-38
  4. DOI: 10.1353/ths.2007.0016
  5. restricted access contents
  1. The Master and the Mademoiselle: Gender Secrets in Plain Sight in Antebellum Performance
  2. Shauna Vey
  3. pp. 39-59
  4. DOI: 10.1353/ths.2007.0012
  5. restricted access contents
  1. "There Was No Resisting John Canoe": Circum-Atlantic Transracial Performance
  2. Peter Reed
  3. pp. 65-85
  4. DOI: 10.1353/ths.2007.0021
  5. restricted access contents
  1. "Talking B(l)ack": Construction of Gender and Race in the Plays of Eulalie Spence
  2. Adrienne C. Macki
  3. pp. 86-109
  4. DOI: 10.1353/ths.2007.0001
  5. restricted access contents
  1. Embodying Diaspora: Ambivalence and Utopia in Contemporary Cape Verdean Theatre
  2. Christina S. McMahon
  3. pp. 110-138
  4. DOI: 10.1353/ths.2007.0004
  5. restricted access contents
  1. The Cambridge Companion to Edward Albee, and: Stretching My Mind (review)
  2. David A. Crespy
  3. pp. 139-141
  4. DOI: 10.1353/ths.2007.0007
  5. restricted access contents
  1. No Applause—Just Throw Money: The Book That Made Vaudeville Famous (review)
  2. Felicia Hardison Londré
  3. pp. 142-143
  4. DOI: 10.1353/ths.2007.0010
  5. restricted access contents
  1. Bernard Shaw: A Life (review)
  2. Michael M. O'Hara
  3. pp. 143-146
  4. DOI: 10.1353/ths.2007.0014
  5. restricted access contents
  1. Theatre for Children: Fifteen Classical Plays (review)
  2. Kristin Leahey
  3. pp. 146-148
  4. DOI: 10.1353/ths.2007.0019
  5. restricted access contents
  1. Expressionism and Modernism in the American Theatre: Bodies, Voices, Words (review)
  2. Vanessa Baker
  3. pp. 153-155
  4. DOI: 10.1353/ths.2007.0003
  5. restricted access contents
  1. High Drama: Colorado's Historic Theatres (review)
  2. Mary Barile
  3. pp. 156-158
  4. DOI: 10.1353/ths.2007.0006
  5. restricted access contents
  1. Look to the Lady: Sarah Siddons, Ellen Terry, and Judi Dench on the Shakespearean Stage (review)
  2. Brian T. Carney
  3. pp. 158-160
  4. DOI: 10.1353/ths.2007.0000
  5. restricted access contents
  1. Blackface Cuba, 1840-1895 (review)
  2. David Krasner
  3. pp. 160-162
  4. DOI: 10.1353/ths.2007.0009
  5. restricted access contents
  1. Performing Opposition: Modern Theater and the Scandalized Audience (review)
  2. Mary Trotter
  3. pp. 165-167
  4. DOI: 10.1353/ths.2007.0018
  5. restricted access contents
  1. The Provincetown Players and the Culture of Modernity (review)
  2. Robert K. Sarlós
  3. pp. 167-170
  4. DOI: 10.1353/ths.2007.0022
  5. restricted access contents
  1. A Student Guide to Play Analysis (review)
  2. Kate Sinnett
  3. pp. 170-172
  4. DOI: 10.1353/ths.2007.0002
  5. restricted access contents
  1. Words at Play: Creative Writing and Dramaturgy (review)
  2. Karin Magaldi
  3. pp. 172-174
  4. DOI: 10.1353/ths.2007.0005
  5. restricted access contents
  1. Illustrations
  2. pp. ix-x
  3. DOI: 10.1353/ths.2007.0011
  4. restricted access contents
  1. The Diasporic Imagination: Introduction to Essays by Peter Reed, Adrienne C. Macki, and Christina S. McMahon
  2. Heather S. Nathans
  3. pp. 60-64
  4. DOI: 10.1353/ths.2007.0017
  5. restricted access contents
  1. Books Received
  2. pp. 175-176
  3. DOI: 10.1353/ths.2007.0015
  4. restricted access contents
  1. Contributors
  2. pp. 177-178
  3. DOI: 10.1353/ths.2007.0008
  4. restricted access contents