Articles

  1. Introduction
  2. J. K. Curry
  3. pp. 5-7
  4. DOI: 10.1353/tsy.2011.0010
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  1. Melodramatic Borrowings: Life, Stage, Screen
  2. Erin Bone Steele
  3. pp. 8-25
  4. DOI: 10.1353/tsy.2011.0001
  5. restricted access contents
  1. Robert Edmond Jones: Theatre and Motion Pictures, Bridging Reality and Dreams
  2. Anthony Hostetter, Elisabeth Hostetter
  3. pp. 26-40
  4. DOI: 10.1353/tsy.2011.0003
  5. restricted access contents
  1. Frank Castorf at the Volksbühne am Rosa Luxembourg Platz: Alienation Techniques and the Use of Mediated Material on the Live Stage
  2. Steve Earnest
  3. pp. 41-53
  4. DOI: 10.1353/tsy.2011.0005
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  1. The London Theatre Goes Digital: Divergent Responses to the New Media
  2. Leslie A. Wade
  3. pp. 54-68
  4. DOI: 10.1353/tsy.2011.0007
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  1. Nollywood: Film and Home Video, or the Death of Nigerian Theatre
  2. Becky Becker
  3. pp. 69-80
  4. DOI: 10.1353/tsy.2011.0008
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  1. The Performative Nature of Filmed Reproductions of Live Performance
  2. Nathan Stith
  3. pp. 81-90
  4. DOI: 10.1353/tsy.2011.0009
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  1. Play-within-a-Play or Theatre-in-Film?: Ingmar Bergman's Through a Glass Darkly
  2. Lawrence D. Smith
  3. pp. 91-110
  4. DOI: 10.1353/tsy.2011.0000
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  1. Montage and Theatricality as Sources of Estrangement: A Tendency in Contemporary Brechtian Cinema
  2. Nenad Jovanovic
  3. pp. 111-128
  4. DOI: 10.1353/tsy.2011.0002
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  1. Theatre and Film in Evolutionary Perspective
  2. Bruce McConachie
  3. pp. 129-147
  4. DOI: 10.1353/tsy.2011.0004
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Contributors

  1. Contributors
  3. pp. 149-151
  4. DOI: 10.1353/tsy.2011.0006
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