+ MUSE Alert

In this Issue

Table of Contents

  1. A Demonic Parody: Toni Morrison’s A Mercy
  2. Geneva Cobb Moore
  3. pp. 1-18
  4. DOI: https://doi.org/10.1353/slj.2011.0014
  5. restricted access
  1. Hellhound on His Trail: Faulknerian Blood-guilt and the Traumatized Form of Lewis Nordan’s Wolf Whistle
  2. Ted Atkinson
  3. pp. 19-36
  4. DOI: https://doi.org/10.1353/slj.2011.0016
  5. restricted access
  1. The Implications of “Chosenness”: Unsettling the Exodus Narrative as a Model for Black Liberation in Randall Kenan’s A Visitation of Spirits
  2. Lucy R. Littler
  3. pp. 37-55
  4. DOI: https://doi.org/10.1353/slj.2011.0018
  5. restricted access
  1. “A Coin for a Closed Eye”: Pound’s Influence on Wright’s “Appalachian Book of the Dead”
  2. Joe Moffett
  3. pp. 56-73
  4. DOI: https://doi.org/10.1353/slj.2011.0020
  5. restricted access
  1. “And every day there is music”: Folksong Roots and the Highway Chain Gang in The Ballad of the Sad Café
  2. Daniel Patrick Barlow
  3. pp. 74-85
  4. DOI: https://doi.org/10.1353/slj.2011.0022
  5. restricted access
  1. Designing Sutpen: Narrative and Its Relationship to Historical Consciousness in Faulkner’s Absalom, Absalom!
  2. Eric Casero
  3. pp. 86-102
  4. DOI: https://doi.org/10.1353/slj.2011.0011
  5. restricted access
  1. Kate Chopin’s Narrative Techniques and Separate Space in The Awakening
  2. Xianfeng Mou
  3. pp. 103-120
  4. DOI: https://doi.org/10.1353/slj.2011.0013
  5. restricted access
  1. Slavery Through the White-Tinted Lens of an Embedded Black Narrator: Séjour’s “The Mulatto” and Chesnutt’s “Dave’s Neckliss” as Intertexts
  2. Edward J. Piacentino
  3. pp. 121-143
  4. DOI: https://doi.org/10.1353/slj.2011.0015
  5. restricted access
  1. Our South or Theirs?
  2. Michael O’Brien
  3. pp. 144-150
  4. DOI: https://doi.org/10.1353/slj.2011.0017
  5. restricted access
  1. Death in Knoxville
  2. David A. Davis
  3. pp. 151-154
  4. DOI: https://doi.org/10.1353/slj.2011.0019
  5. restricted access
  1. Queering the South: The Plantation as Homotopia
  2. Brandon Gordon
  3. pp. 155-157
  4. DOI: https://doi.org/10.1353/slj.2011.0021
  5. restricted access
  1. African American Literature and the Nineteenth-Century South
  2. Lori Leavell
  3. pp. 158-162
  4. DOI: https://doi.org/10.1353/slj.2011.0010
  5. restricted access
  1. Contributors
  3. pp. 163-165
  4. DOI: https://doi.org/10.1353/slj.2011.0012
  5. restricted access