1. Dissecting Bambi: Multiplanar Photography, the Cel Technique, and the Flowering of Full Animation
  2. Casey Riffel
  3. pp. 3-16
  4. DOI: 10.1353/vlt.2012.0007
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  1. On Styles of Theorizing Animation Styles: Stanley Cavell at the Cartoon's Demise
  2. Ryan Pierson
  3. pp. 17-26
  4. DOI: 10.1353/vlt.2012.0009
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  1. Kung Fu Panda: Animated Animal Bodies as Layered Sites of (Trans)National Identities
  2. Hye Jean Chung
  3. pp. 27-37
  4. DOI: 10.1353/vlt.2012.0011
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  1. Is It Real . . . or Is It Motion Capture?: The Battle to Redefine Animation in the Age of Digital Performance
  2. Yacov Freedman
  3. pp. 38-49
  4. DOI: 10.1353/vlt.2012.0001
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  1. An Interview with Geoff Marslett of Swerve Pictures
  2. pp. 50-52
  3. DOI: 10.1353/vlt.2012.0003
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  1. An Interview with Bob Sabiston of Flat Black Films
  2. pp. 53-60
  3. DOI: 10.1353/vlt.2012.0004
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  1. Letterboxed: The Evolution of Widescreen Cinema, and: Widescreen Worldwide (review)
  2. Eliot Chayt
  3. pp. 65-67
  4. DOI: 10.1353/vlt.2012.0008
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  1. The New Entrepreneurs: An Institutional History of Television Anthology Writers (review)
  2. Joshua Gleich
  3. pp. 68-70
  4. DOI: 10.1353/vlt.2012.0010
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  1. Challenge for Change: Activist Documentary at the National Film Board of Canada (review)
  2. Laura Dixon
  3. pp. 71-73
  4. DOI: 10.1353/vlt.2012.0000
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  1. Hollywood Reborn: Movie Stars of the 1970s (review)
  2. R. Colin Tait
  3. pp. 74-76
  4. DOI: 10.1353/vlt.2012.0002
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  1. Introduction
  2. pp. 1-2
  3. DOI: 10.1353/vlt.2012.0005
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