1. From Shrew to Subject: Petruchio’s Humanist Education of Katherine in The Taming of the Shrew
  2. Elizabeth Hutcheon
  3. pp. 315-337
  4. DOI: 10.1353/cdr.2011.0029
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  1. Staging Suffrage: Women, Politics, and the Edwardian Theater
  2. Carolyn Tilghman
  3. pp. 339-360
  4. DOI: 10.1353/cdr.2011.0031
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  1. Oscar Wilde’s Salomé: Disorienting Orientalism
  2. Yeeyon Im
  3. pp. 361-380
  4. DOI: 10.1353/cdr.2011.0033
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  1. Moroccan Acrobats in Britain: Oriental Curiosity and Ethnic Exhibition
  2. Layachi El Habbouch
  3. pp. 381-415
  4. DOI: 10.1353/cdr.2011.0035
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  1. Purging the Jesting Spirit in The Tempest
  2. Maurice Hunt
  3. pp. 417-437
  4. DOI: 10.1353/cdr.2011.0037
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  1. Sacred Folly: A New History of the Feast of Fools (review)
  2. Ann Eljenholm Nichols
  3. pp. 439-442
  4. DOI: 10.1353/cdr.2011.0038
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  1. The Improbability of “Othello”: Rhetorical Anthropology and Shakespearean Selfhood (review)
  2. Matthew J. Smith
  3. pp. 442-445
  4. DOI: 10.1353/cdr.2011.0039
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  1. The Drama of Ideas: Platonic Provocations in Theater and Philosophy (review)
  2. Freddie Rokem
  3. pp. 445-447
  4. DOI: 10.1353/cdr.2011.0030
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  1. Metaphor and Shakespearean Drama: Unchaste Signification (review)
  2. Jay L. Halio
  3. pp. 448-451
  4. DOI: 10.1353/cdr.2011.0032
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  1. Brief Notices
  2. pp. 453-454
  3. DOI: 10.1353/cdr.2011.0034
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  1. Contributors
  2. pp. 455-456
  3. DOI: 10.1353/cdr.2011.0036
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