In this Issue

Table of Contents

Description or Prescription?: Verbal Painting in Pierre Le Moyne's Gallerie des femmes fortes (1647)

Derval Conroy
pp. 1-17
DOI: https://doi.org/10.1353/frf.2011.0021
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Changing French Orientalism: Tarare (1790) and the Question of Slavery

Daren Hodson
pp. 19-39
DOI: https://doi.org/10.1353/frf.2011.0025
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Flaubert's Proposition

Claire Chi-ah Lyu
pp. 41-60
DOI: https://doi.org/10.1353/frf.2011.0029
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Goncourt's Dream: Night Terrors in La Fille Élisa

Laure Katsaros
pp. 61-78
DOI: https://doi.org/10.1353/frf.2011.0032
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La mort au crible de l'humour dans Les morts bizarres de Jean Richepin

Jean-François Fournier
pp. 79-96
DOI: https://doi.org/10.1353/frf.2011.0013
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Albertine and the Inverted Mirrors: Reflections of Geographic and Ethnic Otherness

Lowry Martin
pp. 97-117
DOI: https://doi.org/10.1353/frf.2011.0016
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René Char's Fragmented Feuillets d'Hypnos: Holding Memories of the Resistance in Reserve

Allan MacVicar
pp. 119-134
DOI: https://doi.org/10.1353/frf.2011.0019
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L'inscription du poème sur la page comme théâtre cathartique du désir chez quelques poètes français contemporains

Laurent Fourcaut
pp. 135-146
DOI: https://doi.org/10.1353/frf.2011.0023
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Authoritative Witnessing and the Control of Memory: On Jorge Semprun's L'écriture ou la vie

Sharon Marquart
pp. 147-161
DOI: https://doi.org/10.1353/frf.2011.0027
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Writing Wrongs: The Representation of 'Harkis' in Yasmina Khadra's La part du mort

Lucie Knight
pp. 163-179
DOI: https://doi.org/10.1353/frf.2011.0031
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Thinking Photography in Film, or The Suspended Cinema of Agnès Varda and Jean Eustache

Ari J. Blatt
pp. 181-200
DOI: https://doi.org/10.1353/frf.2011.0034
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Genre in Transitional Cinema: "Arizona Bill" and the Silent French Western, 1912-1914

Tim Scheie
pp. 201-219
DOI: https://doi.org/10.1353/frf.2011.0015
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The Anxiety of Authenticity in Dahan's La Vie En Rose and Zeffirelli's Callas Forever

Noily Beyler
pp. 221-238
DOI: https://doi.org/10.1353/frf.2011.0018
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The Smiling Madame Beudet (1922) Gets a Facelift: Claire Denis' Modern Portrayal of Female Desire in Friday Night (2002)

Mariah Devereux Herbeck
pp. 239-256
DOI: https://doi.org/10.1353/frf.2011.0022
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Aesthetics of Fraudulence in Nineteenth-Century France. Frauds, Hoaxes and Counterfeits (review)

Scott Sprenger
pp. 257-260
DOI: https://doi.org/10.1353/frf.2011.0026
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Entre Textes et Images: Constructions Identitaires en Acadie et au Québec (review)

Adeline Vasquez-Parra
pp. 261-262
DOI: https://doi.org/10.1353/frf.2011.0030
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Blaise Cendrars: Un homme en partance (review)

Lucas Hollister
pp. 263-264
DOI: https://doi.org/10.1353/frf.2011.0033
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Debate of the "Romance of the Rose." The Other Voice in Early Modern Europe (review)

Tina-Marie Ranalli
pp. 265-267
DOI: https://doi.org/10.1353/frf.2011.0014
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L'Écriture du spectacle. Les didascalies dans le théâtre européen aux XVIe et XVIIe siècles (review)

Perry Gethner
pp. 269-273
DOI: https://doi.org/10.1353/frf.2011.0020
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Serge Doubrovsky ou l'écriture d'une survie (review)

Armine Kotin Mortimer
pp. 273-275
DOI: https://doi.org/10.1353/frf.2011.0024
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Introduction à la narratologie: Action et narration (review)

Arcana Albright
pp. 265-267
DOI: https://doi.org/10.1353/frf.2011.0017
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Books Received

pp. 277-278
DOI: https://doi.org/10.1353/frf.2011.0028
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