1. Description or Prescription?: Verbal Painting in Pierre Le Moyne's Gallerie des femmes fortes (1647)
  2. Derval Conroy
  3. pp. 1-17
  4. DOI: 10.1353/frf.2011.0021
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  1. Changing French Orientalism: Tarare (1790) and the Question of Slavery
  2. Daren Hodson
  3. pp. 19-39
  4. DOI: 10.1353/frf.2011.0025
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  1. Flaubert's Proposition
  2. Claire Chi-ah Lyu
  3. pp. 41-60
  4. DOI: 10.1353/frf.2011.0029
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  1. Goncourt's Dream: Night Terrors in La Fille Élisa
  2. Laure Katsaros
  3. pp. 61-78
  4. DOI: 10.1353/frf.2011.0032
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  1. La mort au crible de l'humour dans Les morts bizarres de Jean Richepin
  2. Jean-François Fournier
  3. pp. 79-96
  4. DOI: 10.1353/frf.2011.0013
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  1. Albertine and the Inverted Mirrors: Reflections of Geographic and Ethnic Otherness
  2. Lowry Martin
  3. pp. 97-117
  4. DOI: 10.1353/frf.2011.0016
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  1. René Char's Fragmented Feuillets d'Hypnos: Holding Memories of the Resistance in Reserve
  2. Allan MacVicar
  3. pp. 119-134
  4. DOI: 10.1353/frf.2011.0019
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  1. L'inscription du poème sur la page comme théâtre cathartique du désir chez quelques poètes français contemporains
  2. Laurent Fourcaut
  3. pp. 135-146
  4. DOI: 10.1353/frf.2011.0023
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  1. Authoritative Witnessing and the Control of Memory: On Jorge Semprun's L'écriture ou la vie
  2. Sharon Marquart
  3. pp. 147-161
  4. DOI: 10.1353/frf.2011.0027
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  1. Writing Wrongs: The Representation of 'Harkis' in Yasmina Khadra's La part du mort
  2. Lucie Knight
  3. pp. 163-179
  4. DOI: 10.1353/frf.2011.0031
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  1. Thinking Photography in Film, or The Suspended Cinema of Agnès Varda and Jean Eustache
  2. Ari J. Blatt
  3. pp. 181-200
  4. DOI: 10.1353/frf.2011.0034
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  1. Genre in Transitional Cinema: "Arizona Bill" and the Silent French Western, 1912-1914
  2. Tim Scheie
  3. pp. 201-219
  4. DOI: 10.1353/frf.2011.0015
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  1. The Anxiety of Authenticity in Dahan's La Vie En Rose and Zeffirelli's Callas Forever
  2. Noily Beyler
  3. pp. 221-238
  4. DOI: 10.1353/frf.2011.0018
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  1. The Smiling Madame Beudet (1922) Gets a Facelift: Claire Denis' Modern Portrayal of Female Desire in Friday Night (2002)
  2. Mariah Devereux Herbeck
  3. pp. 239-256
  4. DOI: 10.1353/frf.2011.0022
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  1. Aesthetics of Fraudulence in Nineteenth-Century France. Frauds, Hoaxes and Counterfeits (review)
  2. Scott Sprenger
  3. pp. 257-260
  4. DOI: 10.1353/frf.2011.0026
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  1. Entre Textes et Images: Constructions Identitaires en Acadie et au Québec (review)
  2. Adeline Vasquez-Parra
  3. pp. 261-262
  4. DOI: 10.1353/frf.2011.0030
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  1. Blaise Cendrars: Un homme en partance (review)
  2. Lucas Hollister
  3. pp. 263-264
  4. DOI: 10.1353/frf.2011.0033
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  1. Debate of the "Romance of the Rose." The Other Voice in Early Modern Europe (review)
  2. Tina-Marie Ranalli
  3. pp. 265-267
  4. DOI: 10.1353/frf.2011.0014
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  1. L'Écriture du spectacle. Les didascalies dans le théâtre européen aux XVIe et XVIIe siècles (review)
  2. Perry Gethner
  3. pp. 269-273
  4. DOI: 10.1353/frf.2011.0020
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  1. Serge Doubrovsky ou l'écriture d'une survie (review)
  2. Armine Kotin Mortimer
  3. pp. 273-275
  4. DOI: 10.1353/frf.2011.0024
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  1. Introduction à la narratologie: Action et narration (review)
  2. Arcana Albright
  3. pp. 265-267
  4. DOI: 10.1353/frf.2011.0017
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  1. Books Received
  2. pp. 277-278
  3. DOI: 10.1353/frf.2011.0028
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