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In this Issue

Table of Contents

  1. Katherine Tingley's Theosophical Theatre: Greek Revivalism and New Religion in Lomaland, USA
  2. Edmund B. Lingan
  3. pp. 5-25
  4. DOI: https://doi.org/10.1353/dtc.2011.0008
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  1. Reading Representations of Race with Masochism: The 1990s and Suzan-Lori Parks's Venus
  2. Piia Mustamäki
  3. pp. 27-44
  4. DOI: https://doi.org/10.1353/dtc.2011.0011
  5. restricted access
  1. Tony Kushner's The Illusion and Comedy's "Traversal of the Fantasy"
  2. Graham Wolfe
  3. pp. 45-64
  4. DOI: https://doi.org/10.1353/dtc.2011.0014
  5. restricted access
  1. Stanislavskian Acting as Phenomenology in Practice
  2. Daniel Johnston
  3. pp. 65-84
  4. DOI: https://doi.org/10.1353/dtc.2011.0000
  5. restricted access
  1. From the Postdramatic to the Poly-dramatic: The Text/Performance Divide Reconsidered
  2. Natalie Meisner, Donia Mounsef
  3. pp. 85-102
  4. DOI: https://doi.org/10.1353/dtc.2011.0003
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  1. Boxing with Brecht: David Mamet and Bertolt Brecht
  2. Ira B. Nadel
  3. pp. 103-124
  4. DOI: https://doi.org/10.1353/dtc.2011.0005
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Special Praxis Section: William F. Cody/"Buffalo Bill"/Buffalo Bill's Wild West

  1. Introduction: Journal of Dramatic Theory and Criticism's Special Praxis Section on William F. Cody/"Buffalo Bill"/Buffalo Bill's Wild West
  2. Rosemarie K. Bank
  3. pp. 127-128
  4. DOI: https://doi.org/10.1353/dtc.2011.0007
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  1. Performance on the Plains: Staging the Great Sioux War in Buffalo Bill's Red Right Hand, 1876
  2. Kato Buss
  3. pp. 129-139
  4. DOI: https://doi.org/10.1353/dtc.2011.0010
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  1. "'A GROUP OF MEXICANS . . . will illustrate the use of the lasso': Charreada Performance in Buffalo Bill's Wild West"
  2. Andrew Gibb
  3. pp. 141-147
  4. DOI: https://doi.org/10.1353/dtc.2011.0013
  5. restricted access
  1. "Show Indians"/Showing Indians: Buffalo Bill's Wild West, the Bureau of Indian Affairs, and American Anthropology
  2. Rosemarie K. Bank
  3. pp. 149-158
  4. DOI: https://doi.org/10.1353/dtc.2011.0016
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Book Reviews

  1. Albee in Performance (review)
  2. John M. Clum
  3. pp. 160-161
  4. DOI: https://doi.org/10.1353/dtc.2011.0002
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  1. Artaud and His Doubles (review)
  2. Iris Smith Fischer
  3. pp. 161-163
  4. DOI: https://doi.org/10.1353/dtc.2011.0004
  5. restricted access
  1. The Art of Clowning (review)
  2. Jorge A. Huerta
  3. pp. 164-165
  4. DOI: https://doi.org/10.1353/dtc.2011.0006
  5. restricted access
  1. Queer Theatre and the Legacy of Cal Yeomans (review)
  2. Alan Sikes
  3. pp. 165-167
  4. DOI: https://doi.org/10.1353/dtc.2011.0009
  5. restricted access
  1. Indonesian Postcolonial Theatre: Spectral Genealogies and Absent Faces (review)
  2. Kirstin Pauka
  3. pp. 168-169
  4. DOI: https://doi.org/10.1353/dtc.2011.0012
  5. restricted access
  1. Ibsen and the Irish Revival (review)
  2. Christine M. Young-Gerber
  3. pp. 169-170
  4. DOI: https://doi.org/10.1353/dtc.2011.0015
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Books Received

  1. Books Received
  3. pp. 170-174
  4. DOI: https://doi.org/10.1353/dtc.2011.0001
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