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In this Issue

Table of Contents

  1. A Note on This Special Issue
  2. Stephen C. Behrendt
  3. pp. 5-7
  4. DOI: https://doi.org/10.1353/psg.2011.0129
  5. restricted access
  1. Knock and Loughan, and: Loher Fort, Co. Kerry, and: The Day Is a Poem
  2. Michael McKimm
  3. pp. 9-11
  4. DOI: https://doi.org/10.1353/psg.2011.0137
  5. restricted access
  1. Nearing Sligo, and: Hy-Brazil, and: Inside Outside
  2. Sandra Bunting
  3. pp. 12-14
  4. DOI: https://doi.org/10.1353/psg.2011.0145
  5. restricted access
  1. Water from the Well
  2. Theodore Deppe
  3. pp. 14-16
  4. DOI: https://doi.org/10.1353/psg.2011.0153
  5. restricted access
  1. And Again, and: I Hate to Break It to You But
  2. Anne Tannam
  3. pp. 16-18
  4. DOI: https://doi.org/10.1353/psg.2011.0161
  5. restricted access
  1. The Lighthouse
  2. Ian Watson
  3. pp. 18-19
  4. DOI: https://doi.org/10.1353/psg.2011.0169
  5. restricted access
  1. Peach
  2. Nuala Ní Chonchúir
  3. pp. 20-30
  4. DOI: https://doi.org/10.1353/psg.2011.0126
  5. restricted access
  1. Travelling Soul Sutra, and: In Glasnevin Cemetery, and: Onward
  2. Theo Dorgan
  3. pp. 31-33
  4. DOI: https://doi.org/10.1353/psg.2011.0134
  5. restricted access
  1. Enchanted, and: Clear West
  2. Deanie Rowan Blank
  3. pp. 33-35
  4. DOI: https://doi.org/10.1353/psg.2011.0142
  5. restricted access
  1. Second Home, and: Seaweed
  2. Gréagóir Ó Dúill
  3. pp. 36-37
  4. DOI: https://doi.org/10.1353/psg.2011.0150
  5. restricted access
  1. Sea Life in St. Mark's Square, and: Baby Boy, Quaryat al Beri
  2. Mary O'Donnell
  3. pp. 37-39
  4. DOI: https://doi.org/10.1353/psg.2011.0158
  5. restricted access
  1. Drop-off Point, and: The Doll, and: Sacred Bamboo
  2. Karen O'Connor
  3. pp. 39-43
  4. DOI: https://doi.org/10.1353/psg.2011.0166
  5. restricted access
  1. The Long Corridor
  2. Grace Wells
  3. pp. 43-44
  4. DOI: https://doi.org/10.1353/psg.2011.0123
  5. restricted access
  1. Lacrimae Rerum: A Play in One Act in memory of John Callaghan, chorister, organist, father of a nation
  2. Thomas Lynch
  3. pp. 45-63
  4. DOI: https://doi.org/10.1353/psg.2011.0131
  5. restricted access
  1. An Eochair / The Key, and: Ó Thuaidh! / Brava!
  2. Colm Breathnach
  3. pp. 64-65
  4. DOI: https://doi.org/10.1353/psg.2011.0139
  5. restricted access
  1. Rómánsaíocht / Romance, and: Sólás / Solace
  2. Doireann Ní Ghríofa
  3. p. 66
  4. DOI: https://doi.org/10.1353/psg.2011.0147
  5. restricted access
  1. Mother Tongue, and: Bog Man, and: Hallowe'en
  2. Terry Maher
  3. pp. 67-69
  4. DOI: https://doi.org/10.1353/psg.2011.0155
  5. restricted access
  1. Wake, and: How to Eat a Quince, and: Welcome to the Shallow End
  2. Patrick Toland
  3. pp. 69-72
  4. DOI: https://doi.org/10.1353/psg.2011.0163
  5. restricted access
  1. In the Springtime of Our Awakening, and: Poem for October
  2. Colin Dardis
  3. pp. 72-74
  4. DOI: https://doi.org/10.1353/psg.2011.0171
  5. restricted access
  1. A Drop to Warm My Blood
  2. Aiden O'Reilly
  3. pp. 75-89
  4. DOI: https://doi.org/10.1353/psg.2011.0128
  5. restricted access
  1. The Intercessions of Saint Ciarán the Elder, and: The Eyes of Saint Lucy
  2. Aidan Rooney
  3. pp. 90-93
  4. DOI: https://doi.org/10.1353/psg.2011.0136
  5. restricted access
  1. Patrick's Bell, and: Patrick and the Ship
  2. Ann Egan
  3. pp. 93-95
  4. DOI: https://doi.org/10.1353/psg.2011.0144
  5. restricted access
  1. The Last Bard, and: Limbo
  2. Terry McDonagh
  3. pp. 96-98
  4. DOI: https://doi.org/10.1353/psg.2011.0152
  5. restricted access
  1. Nora prays for peace surely, and: Wesht
  2. Martin Swords
  3. pp. 98-100
  4. DOI: https://doi.org/10.1353/psg.2011.0160
  5. restricted access
  1. From Grace's Day
  2. William Wall
  3. pp. 101-117
  4. DOI: https://doi.org/10.1353/psg.2011.0168
  5. restricted access
  1. Why I want to farm goats, and: My Girl
  2. Liam Duffy
  3. pp. 118-120
  4. DOI: https://doi.org/10.1353/psg.2011.0125
  5. restricted access
  1. Kikkik
  2. John Saunders
  3. pp. 120-121
  4. DOI: https://doi.org/10.1353/psg.2011.0133
  5. restricted access
  1. Tongue and Groove, and: Photo on Page Two
  2. Anne Le Marquand Hartigan
  3. pp. 121-123
  4. DOI: https://doi.org/10.1353/psg.2011.0141
  5. restricted access
  1. A Tale of Workers
  2. Michael Corrigan
  3. pp. 123-125
  4. DOI: https://doi.org/10.1353/psg.2011.0149
  5. restricted access
  1. After the Congo, and: Heatwave, and: Móin na nGé
  2. Catherine Phil MacCarthy
  3. pp. 126-128
  4. DOI: https://doi.org/10.1353/psg.2011.0157
  5. restricted access
  1. True North, and: The New Accord
  2. Paul Laughlin
  3. pp. 128-129
  4. DOI: https://doi.org/10.1353/psg.2011.0165
  5. restricted access
  1. Use, and: August Is a Man Who Walks Calmly, and: The Outlook
  2. Kevin Higgins
  3. pp. 130-132
  4. DOI: https://doi.org/10.1353/psg.2011.0172
  5. restricted access
  1. My First Time
  2. Andrew Fox
  3. pp. 133-145
  4. DOI: https://doi.org/10.1353/psg.2011.0130
  5. restricted access
  1. Murmurations, and: Another World
  2. Clairr O'Connor
  3. pp. 146-148
  4. DOI: https://doi.org/10.1353/psg.2011.0138
  5. restricted access
  1. A School Full of Hay, and: Cocking Hay
  2. Mary O'Shea
  3. pp. 148-150
  4. DOI: https://doi.org/10.1353/psg.2011.0146
  5. restricted access
  1. Cicatrix, and: Skinny-dipping, and: Moving On
  2. Jean O'Brien
  3. pp. 151-153
  4. DOI: https://doi.org/10.1353/psg.2011.0154
  5. restricted access
  1. Beauty Spot, and: Storm over Manhattan
  2. Anne Fitzgerald
  3. pp. 154-155
  4. DOI: https://doi.org/10.1353/psg.2011.0162
  5. restricted access
  1. Returns, and: House on the Coast Road
  2. Lucy Brennan
  3. pp. 155-156
  4. DOI: https://doi.org/10.1353/psg.2011.0170
  5. restricted access
  1. The River Took Me, and: Mary Byrne
  2. Michael O'Dea
  3. pp. 156-157
  4. DOI: https://doi.org/10.1353/psg.2011.0127
  5. restricted access
  1. Liberty Bell, and: A Ruin in the Midlands, and: Ship in the Night, and: The Ages of Pleasure and Suffering
  2. Gerard Smyth
  3. pp. 157-160
  4. DOI: https://doi.org/10.1353/psg.2011.0135
  5. restricted access
  1. Sitting Ducks
  2. Kathleen Murray
  3. pp. 161-168
  4. DOI: https://doi.org/10.1353/psg.2011.0143
  5. restricted access
  1. Conversation with Goethe
  2. Micheal O'Siadhail
  3. pp. 169-170
  4. DOI: https://doi.org/10.1353/psg.2011.0151
  5. restricted access
  1. Gloss; and: Catch
  2. Ciaran O'Driscoll
  3. pp. 171-174
  4. DOI: https://doi.org/10.1353/psg.2011.0159
  5. restricted access
  1. Tonarana Man, and: The woman who hated washing machines, and: Sea Gull
  2. Richard O'Toole
  3. pp. 175-178
  4. DOI: https://doi.org/10.1353/psg.2011.0167
  5. restricted access
  1. The Order That She Sees
  2. Philip Casey
  3. p. 179
  4. DOI: https://doi.org/10.1353/psg.2011.0124
  5. restricted access
  1. A Promiscuity of Spines, and: Dragonfly
  2. Patrick Chapman
  3. pp. 180-182
  4. DOI: https://doi.org/10.1353/psg.2011.0132
  5. restricted access
  1. Believer, and: He Thinks of Windows, and: Gaudete
  2. Fred Johnston
  3. pp. 182-184
  4. DOI: https://doi.org/10.1353/psg.2011.0140
  5. restricted access
  1. The Penguin Book of Irish Poetry (review)
  2. Timothy Webb
  3. pp. 185-190
  4. DOI: https://doi.org/10.1353/psg.2011.0148
  5. restricted access
  1. Index
  3. pp. 197-200
  4. DOI: https://doi.org/10.1353/psg.2011.0164
  5. restricted access
  1. Contributors
  3. pp. 191-196
  4. DOI: https://doi.org/10.1353/psg.2011.0156
  5. restricted access