1. George Woodyard: The Legacy of a Scholar
  2. pp. 9-21
  3. DOI: 10.1353/ltr.2011.0039
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  1. What Do We Mean When We Talk About Performance?: A Metacritical Overview of an Evolving Concept
  2. Catherine Larson
  3. pp. 23-44
  4. DOI: 10.1353/ltr.2011.0043
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  1. El teatro de Buenos Aires en el siglo XXI: pluralismo, canon “imposible” y post-neoliberalismo
  2. Jorge Dubatti
  3. pp. 45-73
  4. DOI: 10.1353/ltr.2011.0046
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  1. La práctica artística en contextos de dramas sociales
  2. Ileana Diéguez
  3. pp. 75-93
  4. DOI: 10.1353/ltr.2011.0027
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  1. Albur, “naquiza”, camp y manierismo en el cabaret de Regina Orozco
  2. Gastón A. Alzate
  3. pp. 95-113
  4. DOI: 10.1353/ltr.2011.0030
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  1. Biografías escénicas: Mi vida después de Lola Arias
  2. Paola Hernández
  3. pp. 115-128
  4. DOI: 10.1353/ltr.2011.0033
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  1. Connecting Absences: Goodbye Ayacucho and the Performative Medium of Transmission
  2. Leticia Robles-Moreno
  3. pp. 129-147
  4. DOI: 10.1353/ltr.2011.0037
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  1. Dramaturgia hipertextual: ensayando la frontera
  2. Rocío Galicia
  3. pp. 149-165
  4. DOI: 10.1353/ltr.2011.0041
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  1. Los fantasmas del pasado en La noche de Hernán Cortés del mexicano Vicente Leñero
  2. Osvaldo Obregón
  3. pp. 167-177
  4. DOI: 10.1353/ltr.2011.0045
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  1. El FITEI 34º y los nuevos paradigmas y lenguajes teatrales
  2. Mario A. Rojas
  3. pp. 179-188
  4. DOI: 10.1353/ltr.2011.0026
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  1. The Spring 2011 Theatre Season in Mexico City
  2. Timothy G. Compton
  3. pp. 189-198
  4. DOI: 10.1353/ltr.2011.0029
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  1. El XXVI Festival Internacional de Teatro Hispano
  2. Luis F. González-Cruz
  3. pp. 199-202
  4. DOI: 10.1353/ltr.2011.0032
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  1. In Memoriam: Carlos Solórzano y el proceso creativo (1919–2011)
  2. Wilma Feliciano
  3. pp. 203-207
  4. DOI: 10.1353/ltr.2011.0036
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  1. El arte teatral: Teoría y Práctica (review)
  2. Pedro Bravo-Elizondo
  3. pp. 209-210
  4. DOI: 10.1353/ltr.2011.0040
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  1. Hacia una poética teatral de Jesús González Dávila (review)
  2. Brian T. Chandler
  3. pp. 210-211
  4. DOI: 10.1353/ltr.2011.0044
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  1. Performing Mexicanidad: Vendidas y Cabareteras on the Transnational Stage (review)
  2. Gastón Alzate
  3. pp. 211-213
  4. DOI: 10.1353/ltr.2011.0025
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  1. El primer teatro de La Habana: El Coliseo (review)
  2. Patricia Tomé
  3. pp. 214-215
  4. DOI: 10.1353/ltr.2011.0028
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  1. Sainetes, cabaret, minas y tango Una antología (review)
  2. Jorge Dubatti
  3. pp. 215-217
  4. DOI: 10.1353/ltr.2011.0031
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  1. Historia del teatro en Chile (review)
  2. Carola Oyarzún
  3. pp. 217-220
  4. DOI: 10.1353/ltr.2011.0034
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  1. Collapsible Poetics Theater: Considerations on Body, Language and Labor (review)
  2. Alec Schumacher
  3. pp. 220-222
  4. DOI: 10.1353/ltr.2011.0038
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  1. Theatre, Performance, and Memory Politics in Argentina (review)
  2. Sarah Misemer
  3. pp. 222-223
  4. DOI: 10.1353/ltr.2011.0042
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  1. Introduction
  2. Jacqueline Eyring Bixler
  3. pp. 5-8
  4. DOI: 10.1353/ltr.2011.0035
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