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In this Issue

Table of Contents

  1. "An Insuperable Repugnance to Hearing Vice Called by Its Proper Name": Englishness, Gender, and the Performed Identities of Rebecca and Amelia in Thackeray's Vanity Fair
  2. Kit Dobson
  3. pp. 1-25
  4. DOI: https://doi.org/10.1353/vcr.2006.0006
  5. restricted access
  1. An Eye for An Eye: Trollope's Warning for Future Relations between England and Ireland
  2. Jill Felicity Durey
  3. pp. 26-39
  4. DOI: https://doi.org/10.1353/vcr.2006.0009
  5. restricted access
  1. "What foreign scenes can be": The Ruin of India in Letitia Landon's Scrapbook Poems
  2. Vanessa Warne
  3. pp. 40-63
  4. DOI: https://doi.org/10.1353/vcr.2006.0012
  5. restricted access
  1. Parliament of Whores: The Mystery of the Mace
  2. Kathryn Ferguson
  3. pp. 64-87
  4. DOI: https://doi.org/10.1353/vcr.2006.0014
  5. restricted access
  1. The Victorian Artist: Artists' Lifewritings in Britain, ca. 1870-1910 by Julie F. Codell (review)
  2. Benedict Fullalove
  3. pp. 88-92
  4. DOI: https://doi.org/10.1353/vcr.2006.0016
  5. restricted access
  1. Invalidism and Identity in Nineteenth-Century Britain by Maria H. Frawley, and: Fictions of Affliction: Physical Disability in Victorian Culture by Martha Stoddard Holmes (review)
  2. Vanessa Warne
  3. pp. 92-96
  4. DOI: https://doi.org/10.1353/vcr.2006.0002
  5. restricted access
  1. Victorian Crime, Madness, and Sensation ed. by Andrew Maunder and Grace Moore (review)
  2. Vicky Simpson
  3. pp. 96-99
  4. DOI: https://doi.org/10.1353/vcr.2006.0005
  5. restricted access
  1. Contributors
  3. p. 100
  4. DOI: https://doi.org/10.1353/vcr.2006.0008
  5. restricted access
  1. Books Received
  3. p. 101
  4. DOI: https://doi.org/10.1353/vcr.2006.0011
  5. restricted access