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Table of Contents

  1. Dealing with Domestic Films: Methodological Strategies and Pitfalls in Studies of Home Movies from the Predigital Era
  2. Cecilia Mörner
  3. pp. 22-45
  4. DOI: https://doi.org/10.1353/mov.2011.0023
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  1. "Have You Heard It Yet?": Advertising the First American Sound Films in Sweden
  2. Christopher Natzén
  3. pp. 46-75
  4. DOI: https://doi.org/10.1353/mov.2011.0026
  5. restricted access
  1. Swedish Inventor Sven Berglund's Little-Known Achievements in the Development of Motion Picture Optical Sound Recording
  2. Robert J. Heiber
  3. pp. 76-82
  4. DOI: https://doi.org/10.1353/mov.2011.0029
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  1. A Testimonial Dinner for Joseph I. Breen
  2. Thomas Doherty
  3. pp. 83-89
  4. DOI: https://doi.org/10.1353/mov.2011.0032
  5. restricted access
  1. Reconstructing Thanhouser: The Twenty-Five-Year Journey of a Citizen Archivist
  2. Ned Thanhouser
  3. pp. 90-99
  4. DOI: https://doi.org/10.1353/mov.2011.0035
  5. restricted access
  1. Cabinets of Wonders: On Creating and Collecting
  2. Jan Švankmajer, Gabriel M. Paletz, Ondřej Kálal
  3. pp. 103-105
  4. DOI: https://doi.org/10.1353/mov.2011.0043
  5. restricted access
  1. Academic Films for the Classroom: A History (review)
  2. Margaret A. Compton
  3. pp. 106-109
  4. DOI: https://doi.org/10.1353/mov.2011.0025
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  1. From Grain to Pixel: The Archival Life of Film in Transition (review)
  2. Diana Little
  3. pp. 109-113
  4. DOI: https://doi.org/10.1353/mov.2011.0028
  5. restricted access
  1. Universal Women: Filmmaking and Institutional Change in Early Hollywood (review)
  2. Luci Marzola
  3. pp. 113-115
  4. DOI: https://doi.org/10.1353/mov.2011.0031
  5. restricted access
  1. Miss Mend (review)
  2. Dan Erdman
  3. pp. 115-118
  4. DOI: https://doi.org/10.1353/mov.2011.0034
  5. restricted access
  1. The Italian Straw Hat (review)
  2. Shari Kizirian
  3. pp. 118-120
  4. DOI: https://doi.org/10.1353/mov.2011.0038
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  1. Chaplin at Keystone Restored (review)
  2. Charles Maland
  3. pp. 120-124
  4. DOI: https://doi.org/10.1353/mov.2011.0042
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  1. Under Full Sail: Silent Cinema on the High Seas (review)
  2. Rielle Navitski
  3. pp. 124-126
  4. DOI: https://doi.org/10.1353/mov.2011.0024
  5. restricted access
  1. La Roue (review)
  2. Richard Suchenski
  3. pp. 127-129
  4. DOI: https://doi.org/10.1353/mov.2011.0027
  5. restricted access
  1. Taxonomy in Action: International Association of Sound and Audiovisual Archives-Association of Moving Image Archivists Annual Conference (review)
  2. Joshua Ranger
  3. pp. 130-133
  4. DOI: https://doi.org/10.1353/mov.2011.0030
  5. restricted access
  1. Reimagining the Archive: Remapping and Remixing Traditional Models in the Digital Era (review)
  2. Claudy Op den Kamp
  3. pp. 133-136
  4. DOI: https://doi.org/10.1353/mov.2011.0033
  5. restricted access
  1. The Ascension of the Amateur
  2. Maija Howe
  3. pp. 136-142
  4. DOI: https://doi.org/10.1353/mov.2011.0036
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  1. Editors' Foreword
  2. Marsha Orgeron, Devin Orgeron
  3. pp. viii-xi
  4. DOI: https://doi.org/10.1353/mov.2011.0037
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  1. Surplus Material: Archives, History, and Innovation in Czechoslovak Army Films
  2. Alice Lovejoy
  3. pp. xii-21
  4. DOI: https://doi.org/10.1353/mov.2011.0041
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  1. Object Lessons: An Introduction to an Interview with Jan Švankmajer That Turned into an Essay by Jan Švankmajer
  2. Devin Orgeron, Marsha Orgeron
  3. pp. 100-102
  4. DOI: https://doi.org/10.1353/mov.2011.0039
  5. restricted access
  1. Contributors
  3. pp. 143-146
  4. DOI: https://doi.org/10.1353/mov.2011.0040
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