In this Issue

Table of Contents

Dealing with Domestic Films: Methodological Strategies and Pitfalls in Studies of Home Movies from the Predigital Era

Cecilia Mörner
pp. 22-45
DOI: https://doi.org/10.1353/mov.2011.0023
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"Have You Heard It Yet?": Advertising the First American Sound Films in Sweden

Christopher Natzén
pp. 46-75
DOI: https://doi.org/10.1353/mov.2011.0026
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Swedish Inventor Sven Berglund's Little-Known Achievements in the Development of Motion Picture Optical Sound Recording

Robert J. Heiber
pp. 76-82
DOI: https://doi.org/10.1353/mov.2011.0029
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A Testimonial Dinner for Joseph I. Breen

Thomas Doherty
pp. 83-89
DOI: https://doi.org/10.1353/mov.2011.0032
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Reconstructing Thanhouser: The Twenty-Five-Year Journey of a Citizen Archivist

Ned Thanhouser
pp. 90-99
DOI: https://doi.org/10.1353/mov.2011.0035
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Cabinets of Wonders: On Creating and Collecting

Jan Švankmajer, Gabriel M. Paletz, Ondřej Kálal
pp. 103-105
DOI: https://doi.org/10.1353/mov.2011.0043
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Academic Films for the Classroom: A History (review)

Margaret A. Compton
pp. 106-109
DOI: https://doi.org/10.1353/mov.2011.0025
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From Grain to Pixel: The Archival Life of Film in Transition (review)

Diana Little
pp. 109-113
DOI: https://doi.org/10.1353/mov.2011.0028
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Universal Women: Filmmaking and Institutional Change in Early Hollywood (review)

Luci Marzola
pp. 113-115
DOI: https://doi.org/10.1353/mov.2011.0031
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Miss Mend (review)

Dan Erdman
pp. 115-118
DOI: https://doi.org/10.1353/mov.2011.0034
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The Italian Straw Hat (review)

Shari Kizirian
pp. 118-120
DOI: https://doi.org/10.1353/mov.2011.0038
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Chaplin at Keystone Restored (review)

Charles Maland
pp. 120-124
DOI: https://doi.org/10.1353/mov.2011.0042
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Under Full Sail: Silent Cinema on the High Seas (review)

Rielle Navitski
pp. 124-126
DOI: https://doi.org/10.1353/mov.2011.0024
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La Roue (review)

Richard Suchenski
pp. 127-129
DOI: https://doi.org/10.1353/mov.2011.0027
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Taxonomy in Action: International Association of Sound and Audiovisual Archives-Association of Moving Image Archivists Annual Conference (review)

Joshua Ranger
pp. 130-133
DOI: https://doi.org/10.1353/mov.2011.0030
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Reimagining the Archive: Remapping and Remixing Traditional Models in the Digital Era (review)

Claudy Op den Kamp
pp. 133-136
DOI: https://doi.org/10.1353/mov.2011.0033
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The Ascension of the Amateur

Maija Howe
pp. 136-142
DOI: https://doi.org/10.1353/mov.2011.0036
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Editors' Foreword

Marsha Orgeron, Devin Orgeron
pp. viii-xi
DOI: https://doi.org/10.1353/mov.2011.0037
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Surplus Material: Archives, History, and Innovation in Czechoslovak Army Films

Alice Lovejoy
pp. xii-21
DOI: https://doi.org/10.1353/mov.2011.0041
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Object Lessons: An Introduction to an Interview with Jan Švankmajer That Turned into an Essay by Jan Švankmajer

Devin Orgeron, Marsha Orgeron
pp. 100-102
DOI: https://doi.org/10.1353/mov.2011.0039
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Contributors

pp. 143-146
DOI: https://doi.org/10.1353/mov.2011.0040
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