1. Anxious Performances: Aestheticism, The Art Gallery And The Ambulatory Geographies Of Late Nineteenth-Century London
  2. Andrew Stephenson
  3. pp. 1-19
  4. DOI: 10.1353/vcr.2001.0013
  5. restricted access
  1. The Face as Legible Text: Gazing at the Portraits of George Eliot
  2. George Griffith
  3. pp. 20-41
  4. DOI: 10.1353/vcr.2001.0015
  5. restricted access
  1. The Unreliable Camera: Photography as Evidence in Mid-Victorian Fiction
  2. Robert Dingley
  3. pp. 42-55
  4. DOI: 10.1353/vcr.2001.0017
  5. restricted access
  1. "Looking Radiant": Science, Photography and the X-ray Craze of 1896
  2. Sylvia Pamboukian
  3. pp. 56-74
  4. DOI: 10.1353/vcr.2001.0019
  5. restricted access
  1. The Crowd: British Literature and Public Politics by John Plotz (review)
  2. Peter Bailey
  3. pp. 90-93
  4. DOI: 10.1353/vcr.2001.0023
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  1. Masculinity and Spirituality in Victorian Culture edited by Bradstock, Andrew, Sean Gill, Anne Hogan, and Sue Morgan (review)
  2. Donald E. Hall
  3. pp. 94-98
  4. DOI: 10.1353/vcr.2001.0026
  5. restricted access
  1. Traditions of Victorian Women's Autobiography. The Poetics and Politics of Life Writing by Linda H. Peterson (review)
  2. J Russell Perkin
  3. pp. 99-102
  4. DOI: 10.1353/vcr.2001.0014
  5. restricted access
  1. Orphan Texts: Victorian Orphans, Culture and Empire by Laura Peters (review)
  2. Julie Murray
  3. pp. 103-106
  4. DOI: 10.1353/vcr.2001.0016
  5. restricted access
  1. Victorian Writing about Risk: Imagining a Safe England in a Dangerous World by Elaine Freedgood (review)
  2. Lauren Gillingham
  3. pp. 107-110
  4. DOI: 10.1353/vcr.2001.0018
  5. restricted access
  1. The Cambridge Bibliography of English Literature Volume 4, 1800-1900 edited by Joanne Shattock (review)
  2. Rosemary T. Van Arsdel
  3. pp. 111-113
  4. DOI: 10.1353/vcr.2001.0020
  5. restricted access
  1. Contributors
  2. pp. 114-115
  3. DOI: 10.1353/vcr.2001.0022
  4. restricted access
  1. Books Received
  2. pp. 116-117
  3. DOI: 10.1353/vcr.2001.0025
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