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Table of Contents

  1. Browning, Renaissance Painting, and the Problem of Raphael
  2. Stephen Cheeke
  3. pp. 437-462
  4. DOI: https://doi.org/10.1353/vp.2011.0041
  5. restricted access
  1. Robert Browning's Necropoetics
  2. Renée Fox
  3. pp. 463-483
  4. DOI: https://doi.org/10.1353/vp.2011.0035
  5. restricted access
  1. Laura's Laurels: Christina Rossetti's "Monna Innominata" 1 and 8 and Petrarch's Rime sparse 85 and 1
  2. Mary Moore
  3. pp. 485-508
  4. DOI: https://doi.org/10.1353/vp.2011.0036
  5. restricted access
  1. "Perchance my hand may touch the lyre": Orality and Textuality in Nineteenth-Century Deaf Poetry
  2. Jennifer Esmail
  3. pp. 509-534
  4. DOI: https://doi.org/10.1353/vp.2011.0037
  5. restricted access
  1. The Sentimental Artistry of Barrett Browning's "The Cry of the Children"
  2. Peaches Henry
  3. pp. 535-556
  4. DOI: https://doi.org/10.1353/vp.2011.0038
  5. restricted access
  1. The Margins of the Dramatic Monologue: Teaching Elizabeth Barrett Browning's "The Runaway Slave at Pilgrim's Point"
  2. Melissa Schaub
  3. pp. 557-568
  4. DOI: https://doi.org/10.1353/vp.2011.0039
  5. restricted access
  1. Contributors
  3. p. 569
  4. DOI: https://doi.org/10.1353/vp.2011.0040
  5. restricted access