In this Issue
The Bulletin of the Comediantes publishes scholarship focused on the theater that thrived in every corner of the early modern world where Spanish was spoken, read, taught, or translated. As a journal published two times per year, we reach forty-three countries across six continents, with articles and book reviews in English and Spanish, distributed both in print and online through Project Muse. For submissions guidelines; staff, editorial board, and author information; plus our bookshelf, visit comediantes.org.
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Bulletin of the Comediantesviewing issue
Volume 63, Number 2, 2011Table of Contents

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View Different Beginnings and the Same Ends: The Unique Introits of Bartolomé Torres Naharro’s Comedia Tinellaria and Comedia Soldadesca
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View “El mejor mozo”?: The Representation of the Future Catholic Monarchs in Lope de Vega’s El mejor mozo de España
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View El “cor-tesano des-nudo”: los cuentos de Juanete y la estética de la resistencia corporal en El pintor de su deshonra
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View Treacherous Foundations: Betrayal and Collective Identity in Early Spanish Epic, Chronicle, and Drama (review)
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View The Outrageous Juan Rana Entremeses: A Bilingual and Annotated Selection of Plays Written for This Spanish Golden Age Gracioso (review)
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View Psyche und Allegorie: Studien zum spanischen auto sacramental von den Anfängen bis zu Calderón (review)
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ISSN | 1944-0928 |
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Print ISSN | 0007-5108 |
Launched on MUSE | 2012-01-05 |
Open Access | No |