1. From the Editor
  2. Ricardo D. Trimillos
  3. pp. 1-2
  4. DOI: 10.1353/amu.2012.0003
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  1. Spaces Betwixt and Between: Musical Borderlands and the Manganiyar Musicians of Rajasthan
  2. Shalini Ayyagari
  3. pp. 3-33
  4. DOI: 10.1353/amu.2012.0005
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  1. Reinventing the Central Asian Rawap in Modern China: Musical Stereotypes, Minority Modernity, and Uyghur Instrumental Music
  2. Chuen-Fung Wong
  3. pp. 34-63
  4. DOI: 10.1353/amu.2012.0007
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  1. The Construction of Āmānnisā Khan as a Uyghur Musical Culture Hero
  2. Elise Anderson
  3. pp. 64-90
  4. DOI: 10.1353/amu.2012.0009
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  1. Behind the Curtain: Making Music in Mumbai’s Film Studios. (review)
  2. Joseph Getter
  3. pp. 131-137
  4. DOI: 10.1353/amu.2012.0002
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  1. Theorizing the Local: Music, Practice, and Experience in South Asia and Beyond (review)
  2. Ben Krakauer
  3. pp. 137-139
  4. DOI: 10.1353/amu.2012.0004
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  1. Marty Regan: Forest Whispers . . . Selected Works for Japanese Instruments, Vol. 1 (review)
  2. Ralph Samuelson
  3. pp. 140-143
  4. DOI: 10.1353/amu.2012.0006
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  1. Birmanie: Musique du théâtre classique/Burma: Classical Theatre Music (review)
  2. Gavin Douglas
  3. pp. 143-145
  4. DOI: 10.1353/amu.2012.0008
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  1. Musica y artes escénicas de la India (Music and dramatic arts of India) (review)
  2. Peter Manuel
  3. pp. 146-147
  4. DOI: 10.1353/amu.2012.0010
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  1. Sufi Music: The Rough Guide to Sufi Music (review)
  2. Michael Frishkopf
  3. pp. 148-155
  4. DOI: 10.1353/amu.2012.0000
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  1. About the Contributors
  2. pp. 156-158
  3. DOI: 10.1353/amu.2012.0001
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