1. From the Editor
  2. Laura M. Stevens
  3. pp. 255-262
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  1. The Difference She Makes: Staging Gender Identity in Graffigny’s Phaza
  2. Heidi Bostic
  3. pp. 291-309
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  1. “There is no sin in our love”: Homoerotic Desire in the Stories of Two Muslim Women Writers
  2. Indrani Mitra
  3. pp. 311-329
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  1. Speaking (in) the Silences: Gender and Anti-Narrative in Carole Maso’s Defiance
  2. Robin Silbergleid
  3. pp. 331-349
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  1. Uneasy Lie the Bones: Alice Sebold’s Postfeminist Gothic
  2. Sarah Whitney
  3. pp. 351-373
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  1. “Painting While Rome Burns”: Ethics and Aesthetics in Pat Barker’s Life Class and Zadie Smith’s On Beauty
  2. Fiona Tolan
  3. pp. 375-393
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  1. “Female Poet” as Revolutionary Grotesque: Feminist Transgression in the Poetry of Ch’oe Sŭng-ja, Kim Hyesoon, and Yi Yŏn-ju
  2. Ruth Williams
  3. pp. 395-415
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  1. A Deleted Manuscript, an Early Story, and a New Approach to the Fiction of Lee Smith
  2. Martha Billips
  3. pp. 417-424
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  1. Feminism in the Age of Digital Archives: The Women Writers Project
  2. Jacqueline Wernimont, Julia Flanders
  3. pp. 425-435
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  1. Translating The Second Sex
  2. Constance Borde, Sheila Malovany-Chevallier
  3. pp. 437-445
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  1. Did a Woman Write “The Great American Novel”?: Judging Women’s Fiction in the Nineteenth Century and Today
  2. Melissa J. Homestead
  3. pp. 447-457
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  1. Gilbert and Gubar’s “The Madwoman in the Attic” After Thirty Years (review)
  2. Margaret Homans
  3. pp. 459-462
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  1. Bluebeard Gothic: “Jane Eyre” and Its Progeny (review)
  2. Sue Thomas
  3. pp. 462-464
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  1. Revolutionary Subjects in the English “Jacobin” Novel, 1790–1805 (review)
  2. Shawn Lisa Maurer
  3. pp. 464-466
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  1. Fictions of Dissent: Reclaiming Authority in Transatlantic Women’s Writing of the Late Nineteenth Century (review)
  2. Cheryl A. Wilson
  3. pp. 466-468
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  1. Thinking Through the Mothers: Reimagining Women’s Biographies (review)
  2. Nicole S. Dobianer
  3. pp. 468-470
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  1. Looking Back: Canadian Women’s Prairie Memoirs and Intersections of Culture, History, and Identity (review)
  2. Lorraine York
  3. pp. 470-472
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  1. Women Reviewing Women in Nineteenth-Century Britain: The Critical Reception of Jane Austen, Charlotte Brontë and George Eliot (review)
  2. Kara M. Ryan
  3. pp. 472-474
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  1. The Selected Letters of Charlotte Perkins Gilman (review)
  2. Frederick Wegener
  3. pp. 474-477
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  1. Style, Gender, and Fantasy in Nineteenth-Century American Women’s Writing (review)
  2. Sari Edelstein
  3. pp. 477-478
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  1. Edith Wharton and the Making of Fashion, and: Virginia Woolf, Fashion and Literary Modernity (review)
  2. Margaret D. Stetz
  3. pp. 479-482
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  1. Virginia Woolf and the Russian Point of View (review)
  2. Jane Costlow
  3. pp. 482-484
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  1. Fascism and Anti-Fascism in Twentieth-Century British Fiction (review)
  2. Kathryn Simpson
  3. pp. 484-487
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  1. Post-War British Women Novelists and the Canon (review)
  2. Jim Byatt
  3. pp. 487-490
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  1. Food and Femininity in Twentieth-Century British Women’s Fiction (review)
  2. Caroline J. Smith
  3. pp. 490-492
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  1. The Creative Crone: Aging and the Poetry of May Sarton and Adrienne Rich (review)
  2. Susan Rudy
  3. pp. 492-494
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  1. Eroticism, Spirituality, and Resistance in Black Women’s Writing (review)
  2. Lisa Hinrichsen
  3. pp. 494-495
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  1. Traumatic Possessions: The Body and Memory in African American Women’s Writing and Performance (review)
  2. J. Brooks Bouson
  3. pp. 496-498
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  1. Dark Eyes on America: The Novels of Joyce Carol Oates (review)
  2. Darryl Hattenhauer
  3. pp. 498-500
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  1. Transnational Latina Narratives in the Twenty-First Century: The Politics of Gender, Race, and Migrations (review)
  2. Norma Klahn
  3. pp. 500-502
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  1. Rumer Godden: International and Intermodern Storyteller (review)
  2. Mary Anne Schofield
  3. pp. 502-504
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  1. Books Received
  2. pp. 509-514
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  1. Contributors
  2. pp. 515-520
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