In this Issue

Table of Contents

From the Editor

Samuel L. Leiter
pp. iii-iv
DOI: https://doi.org/10.1353/atj.2002.0003
restricted access

Play

Tokyo Notes: A Play by Hirata Oriza

Oriza Hirata, M. Cody Poulton
pp. 1-120
DOI: https://doi.org/10.1353/atj.2002.0009
restricted access

Symposium

Contemplating Peonies: A Symposium on Three Productions of Tang Xianzu's Peony Pavilion

Susan Pertel Jain
pp. 121-123
DOI: https://doi.org/10.1353/atj.2002.0005
restricted access

My Year of Peonies

Judith T. Zeitlin
pp. 124-133
DOI: https://doi.org/10.1353/atj.2002.0021
restricted access

Tradition and Innovation in Chen Shi-Zheng's Peony Pavilion

David Rolston
pp. 134-146
DOI: https://doi.org/10.1353/atj.2002.0012
restricted access

Boundary Crossings: Peter Sellars's Production of Peony Pavilion

Catherine Swatek
pp. 147-158
DOI: https://doi.org/10.1353/atj.2002.0017
restricted access

Glossary: Chinese Characters for Symposium

pp. 159-160
DOI: https://doi.org/10.1353/atj.2002.0004
restricted access

Articles

Restoring an Imagined Past: The National Theatre and the Question of Authenticity in Kabuki

Barbara E. Thornbury
pp. 161-183
DOI: https://doi.org/10.1353/atj.2002.0018
restricted access

Popular Workers' Shadow Theatre in Thailand

Paul Dowsey-Magog
pp. 184-211
DOI: https://doi.org/10.1353/atj.2002.0002
restricted access

A Taste of Tibet: The Nuns of Khachoe Ghakyil Ling Nunnery and the Theatre du Soleil

Claudia Orenstein
pp. 212-230
DOI: https://doi.org/10.1353/atj.2002.0008
restricted access

Book Reviews

East Asia and America: Encounters in Drama and Theatre (review)

Jonah Salz
pp. 231-233
DOI: https://doi.org/10.1353/atj.2002.0013
restricted access

Nōmai Dance Drama: A Surviving Spirit of Medieval Japan (review)

Eric C. Rath
pp. 233-235
DOI: https://doi.org/10.1353/atj.2002.0011
restricted access

A Kyōgen Companion (review)

Jonah Salz
pp. 236-238
DOI: https://doi.org/10.1353/atj.2002.0014
restricted access

Half a Century of Japanese Theater: The 1990s, Part 2 (review)

Carol Fisher Sorgenfrei
pp. 238-240
DOI: https://doi.org/10.1353/atj.2002.0015
restricted access

Japanese Theatre and the International Stage (review)

M. Cody Poulton
pp. 240-243
DOI: https://doi.org/10.1353/atj.2002.0010
restricted access

The Bride and Her Double (review)

John B. Weinstein
pp. 244-245
DOI: https://doi.org/10.1353/atj.2002.0019
restricted access

Kattaikkuttu: The Flexibility of a South Indian Theatre Tradition, and: Karna's Death: A Play by Pukalentirrulavar (review)

Phillip B. Zarrilli
pp. 245-247
DOI: https://doi.org/10.1353/atj.2002.0020
restricted access

Aloha Las Vegas and Other Plays (review)

Carol Martin
pp. 248-249
DOI: https://doi.org/10.1353/atj.2002.0007
restricted access

Media Reviews

Concerned Theatre Japan: The Graphic Art of the Japanese Theatre, 1960-1980 (CD-ROM) (review)

Hamilton Armstrong
pp. 250-252
DOI: https://doi.org/10.1353/atj.2002.0001
restricted access

The Written Face (review)

Samuel L. Leiter
pp. 253-254
DOI: https://doi.org/10.1353/atj.2002.0006
restricted access

Production Review

Tambours sur la Digue (review)

Carol Fisher Sorgenfrei
pp. 255-257
DOI: https://doi.org/10.1353/atj.2002.0016
restricted access