In this Issue
Asian Theatre Journal is dedicated to the performing arts of Asia, focusing upon both traditional and modern theatrical forms. It aims to facilitate the exchange of knowledge throughout the international theatrical community for the mutual benefit of all interested scholars and artists. This engaging, intercultural journal offers descriptive and analytical articles, original plays and play translations, book and audiovisual reviews, and reports of current theatrical activities in Asia. Full-color plates and black-and-white photographs illustrate each issue.
Editor: Siyuan Liu, University of British Columbia
Sponsor: Association for Asian Performance of the Association for Theatre in Higher Education
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University of Hawai'i Pressviewing issue
Volume 19, Number 1, Spring 2002Table of Contents
- Tokyo Notes: A Play by Hirata Oriza
- pp. 1-120
- DOI: 10.1353/atj.2002.0009
- My Year of Peonies
- pp. 124-133
- DOI: 10.1353/atj.2002.0021
- Glossary: Chinese Characters for Symposium
- pp. 159-160
- DOI: 10.1353/atj.2002.0004
- Popular Workers' Shadow Theatre in Thailand
- pp. 184-211
- DOI: 10.1353/atj.2002.0002
- A Kyōgen Companion (review)
- pp. 236-238
- DOI: 10.1353/atj.2002.0014
- The Bride and Her Double (review)
- pp. 244-245
- DOI: 10.1353/atj.2002.0019
- Aloha Las Vegas and Other Plays (review)
- pp. 248-249
- DOI: 10.1353/atj.2002.0007
- The Written Face (review)
- pp. 253-254
- DOI: 10.1353/atj.2002.0006
- Tambours sur la Digue (review)
- pp. 255-257
- DOI: 10.1353/atj.2002.0016
- From the Editor
- pp. iii-iv
- DOI: 10.1353/atj.2002.0003
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Copyright © 2002 The University of Hawai'i Press.