In this Issue

Table of Contents

Editorial

Paul Cronin, James Riley, Drake Stutesman
p. 561
DOI: https://doi.org/10.1353/frm.2011.0085
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"The Wanderer," Part 2

Peter Whitehead
pp. 563-569
DOI: https://doi.org/10.1353/frm.2011.0099
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Dora, Film Treatment

Peter Whitehead
pp. 578-583
DOI: https://doi.org/10.1353/frm.2011.0111
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Cassation, Film Treatment

Peter Whitehead
pp. 584-589
DOI: https://doi.org/10.1353/frm.2011.0076
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Dear Diana—Daddy Film Treatment, 1972

Peter Whitehead
pp. 592-602
DOI: https://doi.org/10.1353/frm.2011.0082
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"Daddy": A Bedtime Story—Daddy Synopsis, 1972

Peter Whitehead
pp. 603-605
DOI: https://doi.org/10.1353/frm.2011.0089
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Daddy: The Subversive Potential of an Aesthetic of Masochism (with Original 1974 Notes for Screening)

Laura Mulvey
pp. 606-609
DOI: https://doi.org/10.1353/frm.2011.0096
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Daddy

Molly Haskell
pp. 610-613
DOI: https://doi.org/10.1353/frm.2011.0103
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Cinema and Sovereign Powers: About Daddy—Review, Positif, 1974

Isabelle Jordan, Presley Parks
pp. 614-621
DOI: https://doi.org/10.1353/frm.2011.0109
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Peter Whitehead and Niki de Saint Phalle's Daddy (1973)

Joanna Bourke
pp. 622-637
DOI: https://doi.org/10.1353/frm.2011.0115
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Notes on Daddy, 1973

Peter Whitehead
pp. 638-644
DOI: https://doi.org/10.1353/frm.2011.0080
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Letter to Niki de Saint Phalle, 1974

Peter Whitehead
pp. 645-651
DOI: https://doi.org/10.1353/frm.2011.0087
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Burning Passions, Flammable Decade: Cinema, Avant-Garde, Self, and Society in Fire in the Water (1977)

Laura Rascaroli
pp. 654-666
DOI: https://doi.org/10.1353/frm.2011.0094
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Requiem for the Sixties, Film Proposal, 1974

Peter Whitehead
pp. 667-673
DOI: https://doi.org/10.1353/frm.2011.0101
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Memory Material and Material Memory: The Film Archive of Peter Whitehead

William Fowler
pp. 676-680
DOI: https://doi.org/10.1353/frm.2011.0107
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"The Wanderer," Part 3

Peter Whitehead
pp. 681-685
DOI: https://doi.org/10.1353/frm.2011.0113
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The Saudi Arabian Falcon Breeding Centre, Contract, 1978

pp. 689-691
DOI: https://doi.org/10.1353/frm.2011.0078
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Peter Whitehead's Role as a Falconer, Articles, 1988

Patricia Abercrombie-Little
pp. 692-696
DOI: https://doi.org/10.1353/frm.2011.0084
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Letter from Prince Philip to Peter Whitehead, 1989

Prince Philip
p. 697
DOI: https://doi.org/10.1353/frm.2011.0091
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Oedipus, King of the Falcons: Dissonant Fragments of a Work in Progress

Peter Whitehead
pp. 698-738
DOI: https://doi.org/10.1353/frm.2011.0098
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Aurora, Film Treatment, 1980

Peter Whitehead
pp. 739-758
DOI: https://doi.org/10.1353/frm.2011.0104
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Tiresias, Film Treatment, 1985

Peter Whitehead
pp. 759-769
DOI: https://doi.org/10.1353/frm.2011.0110
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"White Clouds," Poem, 1988

Peter Whitehead
pp. 770-772
DOI: https://doi.org/10.1353/frm.2011.0075
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Falcon: Image Montage

Peter Whitehead
pp. 773-790
DOI: https://doi.org/10.1353/frm.2011.0081
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"The Wanderer," Part 4

Peter Whitehead
pp. 791-796
DOI: https://doi.org/10.1353/frm.2011.0088
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The Technology of Myth: Peter Whitehead as Novelist

James Riley
pp. 798-818
DOI: https://doi.org/10.1353/frm.2011.0095
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Sex Spy: Sexuality and the Revolution in Peter Whitehead's Post-Sixties Works

Mark Jones
pp. 819-835
DOI: https://doi.org/10.1353/frm.2011.0102
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The "Janus Interface": A Meditation on the Cosmology of Peter Whitehead

Jan B. Gordon
pp. 836-864
DOI: https://doi.org/10.1353/frm.2011.0108
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Callanish

Peter Whitehead
pp. 865-870
DOI: https://doi.org/10.1353/frm.2011.0114
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Novel Extracts

Peter Whitehead
pp. 871-900
DOI: https://doi.org/10.1353/frm.2011.0079
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In the Beginning Was the Image, before the Beginning Was the Avant-Garde ...

Peter Whitehead
pp. 902-912
DOI: https://doi.org/10.1353/frm.2011.0086
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On Terrorism Considered as One of the Fine Arts

Peter Whitehead
pp. 913-915
DOI: https://doi.org/10.1353/frm.2011.0093
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Peter Whitehead and Terrorism

James Riley
pp. 916-920
DOI: https://doi.org/10.1353/frm.2011.0100
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Extracts from Terrorism Considered as One of the Fine Arts

Peter Whitehead
pp. 921-931
DOI: https://doi.org/10.1353/frm.2011.0106
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Going to Pot: On the Endurance of the Earth

Peter Whitehead
pp. 934-943
DOI: https://doi.org/10.1353/frm.2011.0112
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Peter Whitehead's Pottery

Michael O'Brien
pp. 944-958
DOI: https://doi.org/10.1353/frm.2011.0077
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Seeing through Stone: Image Montage

Peter Whitehead
pp. 959-974
DOI: https://doi.org/10.1353/frm.2011.0083
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Bibliography

pp. 975-980
DOI: https://doi.org/10.1353/frm.2011.0097
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Filmography

pp. 981-983
DOI: https://doi.org/10.1353/frm.2011.0090
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Acknowledgments

Drake Stutesman
p. 562
DOI: https://doi.org/10.1353/frm.2011.0092
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Whitehead, Djuna Barnes, and Freud's Dora: Introduction to Two Treatments

Drake Stutesman
pp. 572-577
DOI: https://doi.org/10.1353/frm.2011.0105
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