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Table of Contents

  1. La doncella Teodor de Lope de Vega como modelo del Arte Nuevo de hacer comedias
  2. Jesús David Jerez-Gómez
  3. pp. 253-263
  4. DOI: https://doi.org/10.1353/rmc.2010.0006
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  1. Anglo-Norman Beiter in the Medieval Nautical Vocabulary
  2. William Sayers
  3. pp. 265-269
  4. DOI: https://doi.org/10.1353/rmc.2010.0008
  5. restricted access
  1. The Metaphor of the River in Unamuno’s El Cristo de Velázquez: Subversive Text or Devotional Reading?
  2. Jan E. Evans
  3. pp. 279-286
  4. DOI: https://doi.org/10.1353/rmc.2010.0001
  5. restricted access
  1. Cross-dressing and Lesbian Representation in Belle Époque by Fernando Trueba
  2. Nuria Cruz-Cámara
  3. pp. 287-294
  4. DOI: https://doi.org/10.1353/rmc.2010.0003
  5. restricted access
  1. Maupassant et ses lectrices
  2. Jelena Jovicic
  3. pp. 327-335
  4. DOI: https://doi.org/10.1353/rmc.2010.0009
  5. restricted access
  1. Cheik Aliou Ndao’s La Décision: A Senegalese Perspective on Race Relations in the American South in the ‘60s
  2. Martha Walker
  3. pp. 337-344
  4. DOI: https://doi.org/10.1353/rmc.2010.0000
  5. restricted access
  1. A morte é um carnaval: João Grilo e o espaço social em Auto da Compadecida
  2. Joshua Alma Enslen
  3. pp. 345-353
  4. DOI: https://doi.org/10.1353/rmc.2010.0002
  5. restricted access