1. La doncella Teodor de Lope de Vega como modelo del Arte Nuevo de hacer comedias
  2. Jesús David Jerez-Gómez
  3. pp. 253-263
  4. DOI: 10.1353/rmc.2010.0006
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  1. Anglo-Norman Beiter in the Medieval Nautical Vocabulary
  2. William Sayers
  3. pp. 265-269
  4. DOI: 10.1353/rmc.2010.0008
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  1. Domesticidad y redención: Tensiones de género en un precedente costumbrista del Don Juan Tenorio
  2. Francisco Javier Fernández Urenda
  3. pp. 271-278
  4. DOI: 10.1353/rmc.2010.0010
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  1. The Metaphor of the River in Unamuno’s El Cristo de Velázquez: Subversive Text or Devotional Reading?
  2. Jan E. Evans
  3. pp. 279-286
  4. DOI: 10.1353/rmc.2010.0001
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  1. Cross-dressing and Lesbian Representation in Belle Époque by Fernando Trueba
  2. Nuria Cruz-Cámara
  3. pp. 287-294
  4. DOI: 10.1353/rmc.2010.0003
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  1. Nation and Woman: From Conquered to Conqueror in Los Estados-Unidos (notas y episodios de viaje) by Alberto Lombardo
  2. Silvia Ruiz-Tregallo
  3. pp. 295-305
  4. DOI: 10.1353/rmc.2010.0004
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  1. Lucrecia Martel’s La mujer sin cabeza: Cinematic Free Indirect Discourse, Noise-scape and the Distraction of the Middle Class
  2. Matt Losada
  3. pp. 307-313
  4. DOI: 10.1353/rmc.2010.0005
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  1. Maupassant et ses lectrices
  2. Jelena Jovicic
  3. pp. 327-335
  4. DOI: 10.1353/rmc.2010.0009
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  1. Cheik Aliou Ndao’s La Décision: A Senegalese Perspective on Race Relations in the American South in the ‘60s
  2. Martha Walker
  3. pp. 337-344
  4. DOI: 10.1353/rmc.2010.0000
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  1. A morte é um carnaval: João Grilo e o espaço social em Auto da Compadecida
  2. Joshua Alma Enslen
  3. pp. 345-353
  4. DOI: 10.1353/rmc.2010.0002
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