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In this Issue

Table of Contents

  1. Musical Automata, La Règle du jeu, and the Cinema
  2. Christopher Faulkner
  3. pp. 6-25
  4. DOI: https://doi.org/10.1353/scr.2011.0027
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  1. Breaking the Circle: Le Crime de Monsieur Lange and the Contemporary Illegibility of the Radical Text
  2. Martin O'Shaughnessy
  3. pp. 26-44
  4. DOI: https://doi.org/10.1353/scr.2011.0029
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  1. Renoir and the Vichy Syndrome: This Land is Mine, Carola and Le Caporal épinglé
  2. Colin Davis
  3. pp. 45-62
  4. DOI: https://doi.org/10.1353/scr.2011.0031
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  1. Jean Renoir, American Artist
  2. Leland Poague
  3. pp. 63-83
  4. DOI: https://doi.org/10.1353/scr.2011.0033
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  1. Renoir's Paris: The City as Film Set
  2. Sue Harris
  3. pp. 84-102
  4. DOI: https://doi.org/10.1353/scr.2011.0035
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  1. Desperately Seeking Radha: Renoir's The River and Its Reincarnation
  2. Katherine Golsan
  3. pp. 103-125
  4. DOI: https://doi.org/10.1353/scr.2011.0024
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  1. Afterword
  2. Leo Braudy
  3. pp. 126-134
  4. DOI: https://doi.org/10.1353/scr.2011.0026
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  1. Napoleonic Friendship: Military Fraternity, Intimacy & Sexuality in Nineteenth-Century France (review)
  2. Eduardo Febles
  3. pp. 135-137
  4. DOI: https://doi.org/10.1353/scr.2011.0028
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  1. Re-Framing Renoir: Introduction
  2. Katherine Golsan
  3. pp. 1-5
  4. DOI: https://doi.org/10.1353/scr.2011.0025
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  1. Notes on Contributors
  2. pp. 138-139
  3. DOI: https://doi.org/10.1353/scr.2011.0030
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  1. Books Received
  2. p. 140
  3. DOI: https://doi.org/10.1353/scr.2011.0032
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