1. Front Porch
  2. Harry L. Watson
  3. pp. 1-5
  4. DOI: 10.1353/scu.2011.0065
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  1. Boss Jocks: How Corrupt Radio Practices Helped Make Jacksonville One of the Great Music Cities
  2. Michael Ray Fitzgerald
  3. pp. 6-23
  4. DOI: 10.1353/scu.2011.0055
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  1. Backstage Stories: Wonders, Relics, and a Beer Fridge
  2. Daniel Coston
  3. pp. 24-35
  4. DOI: 10.1353/scu.2011.0057
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  1. Bobby Rush: “Blues Singer–Plus”
  2. William R. Ferris
  3. pp. 36-43
  4. DOI: 10.1353/scu.2011.0059
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  1. “Redneck Woman” and the Gendered Poetics of Class Rebellion
  2. Nadine Hubbs
  3. pp. 44-70
  4. DOI: 10.1353/scu.2011.0061
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  1. For the Records: How African American Consumers and Music Retailers Created Commercial Public Space in the 1960s and 1970s South
  2. Joshua Clark Davis
  3. pp. 71-90
  4. DOI: 10.1353/scu.2011.0063
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  1. “Country Music Is Wherever the Soul of a Country Music Fan Is”: Opryland U.S.A. and the Importance of Home in Country Music
  2. Jeremy Hill
  3. pp. 92-111
  4. DOI: 10.1353/scu.2011.0064
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  1. Poem with a Refrain from Charley Patton
  2. Travis Smith
  3. p. 112
  4. DOI: 10.1353/scu.2011.0066
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  1. Johnny Cash and the Paradox of American Identity (review)
  2. Jocelyn R. Neal
  3. pp. 113-115
  4. DOI: 10.1353/scu.2011.0056
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  1. The KISS Letter: An Encounter with Elvis
  2. Eugenia Dettelbach Wicker, Marcie Cohen Ferris
  3. pp. 116-120
  4. DOI: 10.1353/scu.2011.0058
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  1. Loving, Leaving, Liquor, and the Lord: Songs in the Southern Vernacular
  2. Aaron Smithers
  3. p. 121
  4. DOI: 10.1353/scu.2011.0060
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  1. About the Contributors
  3. p. 122
  4. DOI: 10.1353/scu.2011.0062
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