1. Adapting The Liberal Lover: Mediterranean Commerce, Political Economy, and Theatrical Form under Richelieu
  2. Ellen R. Welch
  3. pp. 165-183
  4. DOI: 10.1353/cdr.2011.0022
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  1. Why Did Steele’s The Lying Lover Fail? Or, The Dangers of Sentimentalism in the Comic Reform Scene
  2. Aparna Gollapudi
  3. pp. 185-211
  4. DOI: 10.1353/cdr.2011.0024
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  1. “Allow, Accept, Be”: Terrence McNally’s Engagement with Hindu Spirituality in A Perfect Ganesh
  2. Raymond-Jean Frontain
  3. pp. 213-244
  4. DOI: 10.1353/cdr.2011.0026
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  1. Opening The Notebook of Trigorin: Tennessee Williams’s Adaptation of Chekhov’s The Seagull
  2. Zackary Ross
  3. pp. 245-270
  4. DOI: 10.1353/cdr.2011.0028
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  1. Play Doctor, Doctor Death: Shaw, Ibsen, and Modern Tragedy
  2. Bert Cardullo
  3. pp. 271-288
  4. DOI: 10.1353/cdr.2011.0017
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  1. Deathly Experiments: A Study of Icons and Emblems of Mortality in Christopher Marlowe’s Plays (review)
  2. Clifford Davidson
  3. pp. 289-291
  4. DOI: 10.1353/cdr.2011.0019
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  1. Shakespeare’s Freedom (review)
  2. Coppélia Kahn
  3. pp. 291-294
  4. DOI: 10.1353/cdr.2011.0021
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  1. French Origins of English Tragedy (review)
  2. Hassan Melehy
  3. pp. 294-297
  4. DOI: 10.1353/cdr.2011.0023
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  1. Shakespeare and His Contemporaries (review)
  2. Hilaire Kallendorf
  3. pp. 297-300
  4. DOI: 10.1353/cdr.2011.0025
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  1. Pageantry and Power: A Cultural History of the Early Modern Lord Mayor’s Show, 1585–1639 (review)
  2. Kara Northway
  3. pp. 300-303
  4. DOI: 10.1353/cdr.2011.0027
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  1. Performing Bodies in Pain: Medieval and Post-Modern Martyrs, Mystics, and Artists (review)
  2. Barbara Ellen Logan
  3. pp. 303-306
  4. DOI: 10.1353/cdr.2011.0016
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  1. Brief Notices
  2. pp. 307-312
  3. DOI: 10.1353/cdr.2011.0018
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  1. Contributors
  2. pp. 313-314
  3. DOI: 10.1353/cdr.2011.0020
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