In this Issue

Table of Contents

Adapting The Liberal Lover: Mediterranean Commerce, Political Economy, and Theatrical Form under Richelieu

Ellen R. Welch
pp. 165-183
DOI: https://doi.org/10.1353/cdr.2011.0022
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Why Did Steele’s The Lying Lover Fail? Or, The Dangers of Sentimentalism in the Comic Reform Scene

Aparna Gollapudi
pp. 185-211
DOI: https://doi.org/10.1353/cdr.2011.0024
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“Allow, Accept, Be”: Terrence McNally’s Engagement with Hindu Spirituality in A Perfect Ganesh

Raymond-Jean Frontain
pp. 213-244
DOI: https://doi.org/10.1353/cdr.2011.0026
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Opening The Notebook of Trigorin: Tennessee Williams’s Adaptation of Chekhov’s The Seagull

Zackary Ross
pp. 245-270
DOI: https://doi.org/10.1353/cdr.2011.0028
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Play Doctor, Doctor Death: Shaw, Ibsen, and Modern Tragedy

Bert Cardullo
pp. 271-288
DOI: https://doi.org/10.1353/cdr.2011.0017
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Deathly Experiments: A Study of Icons and Emblems of Mortality in Christopher Marlowe’s Plays (review)

Clifford Davidson
pp. 289-291
DOI: https://doi.org/10.1353/cdr.2011.0019
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Shakespeare’s Freedom (review)

Coppélia Kahn
pp. 291-294
DOI: https://doi.org/10.1353/cdr.2011.0021
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French Origins of English Tragedy (review)

Hassan Melehy
pp. 294-297
DOI: https://doi.org/10.1353/cdr.2011.0023
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Shakespeare and His Contemporaries (review)

Hilaire Kallendorf
pp. 297-300
DOI: https://doi.org/10.1353/cdr.2011.0025
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Pageantry and Power: A Cultural History of the Early Modern Lord Mayor’s Show, 1585–1639 (review)

Kara Northway
pp. 300-303
DOI: https://doi.org/10.1353/cdr.2011.0027
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Performing Bodies in Pain: Medieval and Post-Modern Martyrs, Mystics, and Artists (review)

Barbara Ellen Logan
pp. 303-306
DOI: https://doi.org/10.1353/cdr.2011.0016
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Brief Notices

pp. 307-312
DOI: https://doi.org/10.1353/cdr.2011.0018
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Contributors

pp. 313-314
DOI: https://doi.org/10.1353/cdr.2011.0020
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