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Table of Contents

  1. "Strange Discourse": The Controversial Subject of Sir Thomas More
  2. Gillian Woods
  3. pp. 3-35
  4. DOI: https://doi.org/10.1353/rnd.2011.0000
  5. restricted access
  1. Staging the Moor: Turks, Moriscos, and Antichrists in Lope de Vega's El Otomano famoso
  2. Anjela María Mescall
  3. pp. 37-67
  4. DOI: https://doi.org/10.1353/rnd.2011.0002
  5. restricted access
  1. "The Voice That Will Drown All the City": Un-Gendering Noise in The Roaring Girl
  2. Jennie Votava
  3. pp. 69-95
  4. DOI: https://doi.org/10.1353/rnd.2011.0004
  5. restricted access
  1. Bodily Narratives and the Politics of Virginity in The Changeling and the Essex Divorce
  2. Sara D. Luttfring
  3. pp. 97-128
  4. DOI: https://doi.org/10.1353/rnd.2011.0005
  5. restricted access
  1. "He would not goe naked like the Indians, but cloathed just as one of our selves": Disguise and "the Naked Indian" in Massinger's The City Madam
  2. Gavin Hollis
  3. pp. 129-162
  4. DOI: https://doi.org/10.1353/rnd.2011.0006
  5. restricted access
  1. The Tyranny of Tragedy: Catharsis in England and The Roman Actor
  2. Marissa Greenberg
  3. pp. 163-196
  4. DOI: https://doi.org/10.1353/rnd.2011.0007
  5. restricted access
  1. Introduction to Giovan Battista Giraldi Cinthio's "Discourse or Letter on the Composition of Comedies and Tragedies"
  2. Daniel Javitch
  3. pp. 197-206
  4. DOI: https://doi.org/10.1353/rnd.2011.0008
  5. restricted access
  1. Discourse or Letter on the Composition of Comedies and Tragedies
  2. Giovan Battista Giraldi Cinthio, Daniel Javitch
  3. pp. 207-255
  4. DOI: https://doi.org/10.1353/rnd.2011.0001
  5. restricted access

Contributors

  1. Notes on Contributors
  3. pp. 257-259
  4. DOI: https://doi.org/10.1353/rnd.2011.0003
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