In this Issue
Renaissance Drama is an annual publication dedicated to the investigation of traditional canons of drama, as well as to the exploration of the significance of performance, broadly construed, in early modern cultures. Each volume presents essays that question or apply newer forms of interpretation on the study of early modern plays, theater, and performance. Articles also address works written in traditions other than the English, the discourses that shaped and were shaped by the varied institutions of drama across Europe and beyond its borders within which it was produced, and manifestations of performance and performativity both on and off the theatrical stage.
published by
Northwestern University Pressviewing issue
New Series 39, 2011Table of Contents
pp. 3-35
pp. 37-67
pp. 69-95
pp. 97-128
pp. 129-162
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View "He would not goe naked like the Indians, but cloathed just as one of our selves": Disguise and "the Naked Indian" in Massinger's The City Madam
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"He would not goe naked like the Indians, but cloathed just as one of our selves": Disguise and "the Naked Indian" in Massinger's The City Madam
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pp. 163-196
pp. 197-206
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View Introduction to Giovan Battista Giraldi Cinthio's "Discourse or Letter on the Composition of Comedies and Tragedies"
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Introduction to Giovan Battista Giraldi Cinthio's "Discourse or Letter on the Composition of Comedies and Tragedies"
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pp. 207-255
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| ISSN | 2164-3415 |
|---|---|
| Print ISSN | 0486-3739 |
| Launched on MUSE | 2011-11-17 |
| Open Access | No |
| Archive Status | Archived |
