Issue Cover

From: Women and Music: A Journal of Gender and Culture

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restricted access   Volume 15, 2011

Table of Contents

Listening for Willie Mae “Big Mama” Thornton’s Voice: The Sound of Race and Gender Transgressions in Rock and Roll

pp. 1-17
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DOI: 10.1353/wam.2011.0005
Maureen Mahon
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The Touch of the Violin, the Coldness of the Bell: Synaesthesia, Mimesis, and the Unlocking of Traumatic Memory in Bunita Marcus’s “The Rugmaker” and Andra McCartney’s “Learning to Walk”

pp. 18-37
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DOI: 10.1353/wam.2011.0000
Jenny Olivia Johnson
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Trauma and Recovery in Germaine Tailleferre’s Six chansons françaises (1929)

pp. 38-69
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DOI: 10.1353/wam.2011.0001
Kiri L. Heel
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Theorizing Gender, Culture, and Music

An Antidote to Metaphysics: Adriana Cavarero’s Vocal Philosophy

pp. 70-85
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DOI: 10.1353/wam.2011.0002
Ryan Dohoney
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Review

Girl Groups on Girl Groups; or, Why Girl Singers (Still) Matter

pp. 86-94
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DOI: 10.1353/wam.2011.0003
Sheila Whiteley
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Contributors

Contributors

p. 95
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DOI: 10.1353/wam.2011.0004
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