1. Listening for Willie Mae “Big Mama” Thornton’s Voice: The Sound of Race and Gender Transgressions in Rock and Roll
  2. Maureen Mahon
  3. pp. 1-17
  4. DOI: 10.1353/wam.2011.0005
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  1. Trauma and Recovery in Germaine Tailleferre’s Six chansons françaises (1929)
  2. Kiri L. Heel
  3. pp. 38-69
  4. DOI: 10.1353/wam.2011.0001
  5. restricted access View | Download |
  1. An Antidote to Metaphysics: Adriana Cavarero’s Vocal Philosophy
  2. Ryan Dohoney
  3. pp. 70-85
  4. DOI: 10.1353/wam.2011.0002
  5. restricted access View | Download |
  1. Girl Groups on Girl Groups; or, Why Girl Singers (Still) Matter
  2. Sheila Whiteley
  3. pp. 86-94
  4. DOI: 10.1353/wam.2011.0003
  5. restricted access View | Download |
  1. Contributors
  2. p. 95
  3. DOI: 10.1353/wam.2011.0004
  4. restricted access View | Download |