1. Listening for Willie Mae “Big Mama” Thornton’s Voice: The Sound of Race and Gender Transgressions in Rock and Roll
  2. Maureen Mahon
  3. pp. 1-17
  4. DOI: 10.1353/wam.2011.0005
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  1. The Touch of the Violin, the Coldness of the Bell: Synaesthesia, Mimesis, and the Unlocking of Traumatic Memory in Bunita Marcus’s “The Rugmaker” and Andra McCartney’s “Learning to Walk”
  2. Jenny Olivia Johnson
  3. pp. 18-37
  4. DOI: 10.1353/wam.2011.0000
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  1. Trauma and Recovery in Germaine Tailleferre’s Six chansons françaises (1929)
  2. Kiri L. Heel
  3. pp. 38-69
  4. DOI: 10.1353/wam.2011.0001
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  1. An Antidote to Metaphysics: Adriana Cavarero’s Vocal Philosophy
  2. Ryan Dohoney
  3. pp. 70-85
  4. DOI: 10.1353/wam.2011.0002
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  1. Girl Groups on Girl Groups; or, Why Girl Singers (Still) Matter
  2. Sheila Whiteley
  3. pp. 86-94
  4. DOI: 10.1353/wam.2011.0003
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  1. Contributors
  3. p. 95
  4. DOI: 10.1353/wam.2011.0004
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