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King Mindon (r. 1853–1878) with female consorts. Opaque water color on cotton, c. late 19th or early 20th century, artist unknown. H. 78 cm × W. 74 cm, Burma Art Collection, Northern Illinois University. BC2007.03.05. Gift of William Wise, 1989.

Bequested under the title, “Scene of King Mindon,” this undated painting is possibly posthumous and likely based on well-known photographs ofMindon late in his reign wearing golden earrings, a rolled white phawlone turban; and, while bare-chested here, dressed in exactly the same silk pahso worn in one such portrait: in the wavy Lun-taya acheik patt ernfashionable during the Konbaung dynasty. The king’s knees are shownas completely tattooed, which would have been the lowermost extent of the typical male “trousers” tattoo age which extends up to the waist.Seated on a richly flowered carpet in the “royal ease” posture, Mindon holds a long unlit cheroot in his left hand. The four courtly ladies are similarly attired in white muslin eingyi jackets; while the left most figure, in a darker-colored htamein, elegantly grasps the edges of her organdypawa shawl. The dreamy expression of a glorious ruler, now long past his prime, may be emblematic of a once powerful kingdom soon to be eclipsed and overthrown by the British.

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The Position of the Rājāvaṁsa Katnā in Mon History-Telling
Patrick McCormick
pp. 283-304
DOI: https://doi.org/10.1353/jbs.2011.0010
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