1. Melodrama and the Production of Affective Knowledge in Mary Barton
  2. Thomas Recchio
  3. pp. 289-305
  4. DOI: 10.1353/sdn.2011.0043
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  1. "Can You Put a Word to It?": Language and Epistemology in The Dwarfs
  2. Marc Silverstein
  3. pp. 306-327
  4. DOI: 10.1353/sdn.2011.0046
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  1. On Not Being Found: A Winnicottian Reading of John Banville's Ghosts and Athena
  2. Mark O'Connell
  3. pp. 328-342
  4. DOI: 10.1353/sdn.2011.0044
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  1. Going to the Dogs: Enduring Isolation in Marlene van Niekerk's Triomf
  2. Jeanne-Marie Jackson
  3. pp. 343-362
  4. DOI: 10.1353/sdn.2011.0039
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  1. Three Feminist Interventions
  2. Esther M. Lopez
  3. pp. 363-371
  4. DOI: 10.1353/sdn.2011.0047
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  1. The Cosmic Time of Empire: Modern Britain and World Literature (review)
  2. James Harker
  3. pp. 373-375
  4. DOI: 10.1353/sdn.2011.0041
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  1. Authors Out Here: Fitzgerald, West, Parker, and Schulberg in Hollywood (review)
  2. Hila Shachar
  3. pp. 375-376
  4. DOI: 10.1353/sdn.2011.0042
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  1. Discerning Characters: The Culture of Appearance in Early America (review)
  2. Bridget M. Marshall
  3. pp. 376-378
  4. DOI: 10.1353/sdn.2011.0045
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  1. Melville and the Wall of the Modern Age (review)
  2. Anna Krauthammer
  3. pp. 378-380
  4. DOI: 10.1353/sdn.2011.0037
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  1. Romanticism, Sincerity and Authenticity (review)
  2. Timothy Ruppert
  3. pp. 380-382
  4. DOI: 10.1353/sdn.2011.0038
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  1. Enduring Words: Literary Narrative in a Changing Media Ecology (review)
  2. Hila Shachar
  3. pp. 382-384
  4. DOI: 10.1353/sdn.2011.0040
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